A Quote by Alan Lightman

I'm humbled and enormously grateful to be connected to [Franz] Kafka in a any way. He is one of the writers I admire. I think he has been a big influence on me. I appreciate the idea of the individual person battling the society - which is true in all his books.
Franz Kafka is an idea person. His books begin and end in ideas. Ideas have always been important to me in my writing. To the point that I have to be careful that they don't take over.
Franz Kafka is a huge influence, more than the Grimms. To allow yourself to get into the coal bucket and fly to the sky ... we learned that from Kafka, that you can have a thought and make a body of it in this way.
The original sense of the word 'influence' is 'to flow into.' For the most part, these writers that I admire... their style flows into me without my intervention, which is what explains the broad range of writers who I've been compared with; it reflects my reading.
The way we learn to write is the way we learn to talk: We listen to others and start mimicking speech, and that's how we come to become speakers. Writers you admire, you admire the way they plot, you admire the way they create a character, you admire the way they put a sentence together, those are the writers you should be reading.
...he shrunk more and more from the realities of life and above all from the society of his day which he regarded with an ever growing horror,--a detestation which had reacted strongly on his literary and artistic tastes; he refused, as far as possible, to have anything to do with pictures and books whose subjects were in any way connected with modern existence.
The strength of an individual is not in his extreme freedom and libertine lifestyle, but in the stalwartness of his character and his moral vigor. The society is made of individuals. What is true for an individual is also true for the society. A society that is not founded on moral values is doomed to fall.
There's this idea like feminism is humorless and humorless in a way that's like a whistleblower. Like you're going to - you're going to make sure that nobody has any fun. And that's not true at all. I think feminism allows me to do what I do, and I'm so grateful to the idea of it and grateful to all the women that came before.
I know that the writers I read and admire all have an influence on my work, but trying to determine to what degree any particular piece of input changes the way I think about writing seems counterproductive.
Kafka is one of my very favorite writers. Kafka's fictional world is already so complete that trying to follow in his steps is not just pointless, but quite risky, too. What I see myself doing, rather, is writing novels where, in my own way, I dismantle the fictional world of Kafka that itself dismantled the existing novelistic system.
The Society of North American Magic Realists welcomes its newest, most dazzling member, Louis Maistros. His debut novel is a thing of wonder, unlike anything in our literature. It startles. It stuns. It stupefies. No novel since CONFEDERACY OF DUNCES has done such justice to New Orleans. If Franz Kafka had been able to write like Peter Straub, this might have been the result.
I guess I will say, going back to the Judaism questions, there are mental reflexes or patterns that I think of as Jewish in my own feelings about mysticism and theology.Franz Kafka is someone I very much revere. If I believed in holy texts I'd go to him as a touchstone. Not that I read Kafka all the time at this point. In a way, this is what I most want to talk about and it's the hardest to talk about.
Many of the writers I admire - Melville, Dickinson, Kafka - were virtually invisible during their lifetimes. Art, I think, often has to dance around in the void.
I'm not interested in the wellbeing of society because society is a big lie. Where is society? I only see individual beings and only the individual can grow. Each one is enormous and tremendous in his own way-each one is unique.
There is a very broad theory that society gets the right to hang, as the individual gets the right to defend himself. Suppose she does; there are certain principles which limit this right. Society has got the murderer within four walls; he never can do any more harm. Has society any need to take that man's life to protect itself? If any society has only the right that the individual has, she has no right to inflict the penalty of death, because she can effectually restrain the individual from ever again committing his offence.
Having come into contact with a civilization which has over-emphasized the freedom of the individual, we are in fact faced with one of the big problems of Africa in the modern world. Our problem is just this: how to get the benefits of European society - benefits that have been brought about by an organization based upon the individual - and yet retain African's own structure of society in which the individual is a member of a kind of fellowship.
My main ambition as a teenager was to somehow resurrect the dark-minded writer Franz Kafka and become his girlfriend.
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