A Quote by Alan Lomax
The modern computer with all its various gadgets and wonderful electronic facilities now makes it possible to preserve and reinvigorate all the cultural richness of mankind.
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The place of electronic music, culturally and socially, is today completely different - it is now everywhere, and it has been totally accepted. Consequently, there is now a younger generation that is more focused on making great electronic music, good parties, and having fun, where there is not any more so much need for cultural and ideological statements in electronic music itself.
Sometimes it occurs to me that the job of a serious cultural critic mostly consists in telling the generality of people that their opinions - on films, on books, on all manner of widgets, gadgets and even the latest electronic fidgets - simply aren't up to scratch.
Race prejudice is a gift of nature, intended to preserve in purity the various divisions of mankind which the ages have evolved.
Into the cultural and technological system of the modern world, the patriotic spirit fits like dust in the eyes and sand in the bearings. Its net contribution to the outcome is obscuration, distrust, and retardation at every point where it touches the fortunes of modern mankind.
During my younger days, we didn't have digital media or electronic gadgets the way we do now. So the best part of my day was the one I spent either in listening to stories from my elders or reading them.
I don't have too many gadgets in the house. I do like playing computer games every now and again, though.
A human moment is a term I invented to distinguish in-person communication from electronic. Human moments are exponentially more powerful than electronic ones. I mean face-to-face, in-person contact and communication. I have identified several modern paradoxes and the first is that, for various reasons, we have grown electronically superconnected but we have simultaneously grown emotionally disconnected from each other.
The wonderful world of home appliances now makes it possible to cook indoors with charcoal and outdoors with gas.
I think of myself of a primitivist. I have never had any of these electronic instruments and I have never had the slightest interest in using them. I use the computer as a tool, simply because it makes composing a lot faster. But I don't go on stage with a computer and make a lot of goofy sounds.
But now with technology I could sit down and do a bunch of character drawings and scan them into a computer, and the computer using my exact style could bring it into life, where it would have been edited by various human beings before.
Guitars, there was rock 'n' roll. Saxophone, jazz. Now we have the computer and there's this electronic thing happening in music that is somewhat superhuman.
To preserve one's mind intact through a modern college education is a test of courage and endurance, but the battle is worth it and the stakes are the highest possible to man: the survival of reason.
Every nation must now develop an overriding loyalty to mankind as a whole in order to preserve the best in their individual societies.
You just make different music on a computer. And you can make wonderful music on a computer, but don't pretend that the machinery is transparent. It makes as much difference to what you're doing as it does if you play an acoustic guitar as opposed to a kettledrum. You're not going to make the same music.
I think for the wounded, ill and injured warriors, they need the best possible care that we can give them - a continuum of care that not only started on the battlefield and extended all the way to the wonderful medical facilities that we have here in the United States - but beyond.
For the sake of my children and grandchildren, I hope that the human talent for self-destruction can be successfully controlled, or at least channelled into productive forms, but I doubt it. I think we are moving into extremely volatile and dangerous times, as modern electronic technologies give mankind almost unlimited powers to play with its own psychopathology as a game.
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