A Quote by Alan Loy McGinnis
One reason I can be more tolerant than most is that as a therapist I have the advantage of information about my patients that most people are not privy to. And I discover that we rarely if ever see the totality of another in ordinary social intercourse. When an individual appears mean and lazy, we are only seeing one part of the person, elicited by a particular set of circumstances on a particular day, and we do well to wait a while before concluding that what we see is the whole person.
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I try to see what that person is thinking or feeling about that particular day. I just get more of a sense of what that person's like and hopefully it's more interesting than a normal conversation.
You know, one day you look at the person and you see something more than you did the night before. Like a switch has been flicked somewhere. And the person who was just a friend is... suddenly the only person you can ever imagine yourself with.
None of us constitutes a material whole, identical for everyone, which a person has only to go look up as though we were a book of specifications or a last testament; our social personality is a creation of the minds of others. Even the very simple act that we call "seeing a person we know" is in part an intellectual one. We fill the physical appearance of the individual we see with all the notions we have about him, and of the total picture that we form for ourselves, these notions certainly occupy the greater part.
The fact that we're catching more fish per person than we've ever done before doesn't mean that there are not particular places where we've managed fisheries badly.
In my formative years the people who influenced me most were the Christian existentialists, I mean men like Munier and Kierkegaard and perhaps most of all Nicholas Berdyaev and in my travels I looked for one thing more than anything. I rarely discussed, probably mainly because of language difficulties, metaphysics with the various religious people of other groups I'd meet with. But I'd very much try to see how they were incarnated, how their particular soul was incarnated or took roots into reality.
What if everything you see is more than what you see--the person next to you is a warrior and the space that appears empty is a secret door to another world? What if something appears that shouldn't? You either dismiss it, or you accept that there is much more to the world than you think. Perhaps it is really a doorway, and if you choose to go inside, you'll find many unexpected things.
When you say to a person of colour, 'When I see you, I don't see you Black; I just see everybody the same' think about that. You don't have the right to say to a person, 'I do not see you as you are; I want to see you as I would be more comfortable seeing you.'
Lasting love has to be built on mutual regard and respect. It is about seeing the other person. I am very interested in relationships and, when I watch couples, sometimes I can sense a blindness has set in. They have stopped seeing each other. It is not easy to see another person.
I think that a lot of the time I don't go for something in particular. I see what comes to me, I filter it out. I never really strive to play a particular character or do a particular genre of film. As long as it's a good script and a great range of people and my character is really interesting I can't see any reason not to do it.
We don't all see the same way at all. Even if I'm sitting looking at you, there is always the memory of you as well. And a memory is now. So someone who's never met you before is seeing a different person. That's bound to be the case. We all see something different. I assume most people don't look very hard at anything.
Even the simple act that we call "going to visit a person of our acquaintance" is in part an intellectual act. We fill the physical appearance of the person we see with all the notions we have about him, and in the totality of our impressions about him, these notions play the most important role.
We see that the soul is the deepest and the most vital part of the person as a whole. It is often treated as the person, and we actually do this when we talk about "saving our soul."
You see, I'm a believer in the rhapsodic. I like things that are happy. For no particular reason, I just like them. Most people don't seem to be like that in this particular place, in this world. You can tell by what they focus on. Read a newspaper, watch a TV show, go to a movie, look at a life.
What I see is trying to make sure that everybody thinks you have more than what you actually have. What’s the point if you actually don’t have it? If you don’t have it, then you don’t have it. Have what you have. Enjoy that . . . The craft is everything. Don’t be afraid of not being the wealthiest person in the room. Be the smartest person in the room. Be the slickest person in the room. Be the most creative person in the room. Be the most entertaining person in the room. Just be in the room.
For me, a big part of writing psychological thrillers is choosing crimes committed for motives which would only apply to a particular person in a particular situation; a unique, one-off motive that is born out of someone's particular range of psychological afflictions.
Working with Kanye is one of the greatest things ever. It's also one of the most nerve-wracking things ever. He's, like, the most critical, particular, artistic person ever.
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