A Quote by Alan Menken

Composing easy? I find it easy if - big if - the idea is right, if I have the right collaborator, and if my collaborator is in the room. I like my collaborator to be in the room.
I'll always work with my collaborator in the room so I have a reaction on a note-by-note basis. I know in my gut when something works for me, and I'll fight for it, but I'm a very easy re-writer.
Musicals are plays, but the last collaborator is your audience, so you've got to wait 'til the last collaborator comes in before you can complete the collaboration.
Musicals are — particularly musicals — plays also, but musicals particularly are… the last collaborator is your audience, and so you’ve got to wait ’til the last collaborator comes in before you can complete the collaboration.
Working with anyone is easy as long as you realise that your collaborator has the understanding and experience even if he is younger to you.
Being the everyman in the writing room helps a lot: you have to be a real collaborator and selfless, and not have ego when you walk in there. That's the antithesis of the artist mentality.
David Mamet was great to work with. He was everything that I thought he would be as a director. He's incredibly articulate, an easy collaborator. Extraordinarily knowledgeable about film and writing.
To make a film, the final big collaborator that you have is the composer.
I'm a great collaborator. I really am. I will steal anyone's idea if it is a good one.
In our world, it's a big deal when you have a favourite collaborator and share them.
Usually when you're playing with other people in not such a reverberant room, you have to be quick on your feet and think about stuff really quickly. But inside the cistern, it was almost like I was at home on my computer arranging and taking time thinking about the next step, the next note. Instead, the room was my collaborator. I could hear the note and sit there and think. I could be arranging as I was going in real time, which was fascinating.
How can you not have preconceived notions and expectations of who Kelsey Grammer is gonna be? He's been in my living room since my TV was on. And he exceeded them all, somehow. He's such a beautiful and open-hearted collaborator and mentor and such a great family man. I was just lucky to get to work with him and learn from him.
I was constantly reading books about how to direct, and asking directors, 'How do you do it?' And when I finally actually started doing the work, it seemed like you have to be decisive and have an opinion. But also you have to be a good collaborator and hire the right people to shore up whatever your skill set is.
I'm not a good collaborator in general.
As a filmmaker, I'm a collaborator first.
With the exceptional talent that is Guy Sigsworth as producer and collaborator, we have recorded a collection of original songs that sees me moving away from a generic line up and back into the world of a programmer. Born of reconstructed improvisation I like to think of it as Prog-Pop, but I also like to think of big dogs as small horses. So don’t hang on to that thought long. Unless, of course, you think it astute of me in which case I am right
As a film composer, you have to be a good collaborator.
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