A Quote by Alan Menken
Most things that I write are in very specific forms. A score will have a shape and profile, and then the more emotional and intimate moments will come.
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Mother Mary and the Christ energy hold a new profile on the Earth plane right now, and they will be there in the seminar in their new profile for this new phase we're entering into. They will walk among us and be much more available to individuals at this time on the Earth plane. They will be accessible in a very different way to support us in this transition on a very intimate and individual basis.
A letter is always better than a phone call. People write things in letters they would never say in person. They permit themselves to write down feelings and observations using emotional syntax far more intimate and powerful than speech will allow.
From the stage, I can reach a large audience, and you learn from being on stage how much a song reaches, what extent of the crowd a song can reach. I write in a way that can reach most of the audience, but I also wanted to have truly intimate moments as well, many intimate moments, more so than the big moments.
You have to be very specific with the suggestions of how you want to show things, not just with dialogue but also place and mood. I write all of that as very vivid guidelines so directors can come in and do what they will with them.
You are going to share in the most intimate parts of your patients' lives. You will share in their moments of tragedy. But you will also share in their moments of greatest joy.
I'm sure in some moments, I will score, I will assist, and I will perform. And that will help my team-mates to win the game.
Victor Young had been hired to write the score for the dances of The Ten Commandments but he became very ill. You were then hired to write the score. But at the same time you'd written The Man with the Golden Arm score.
Neither is there figurative and non-figurative art. All things appear to us in the shape of forms. Even in metaphysics ideas are expressed by forms. Well then, think how absurd it would be to think of painting without the imagery of forms. A figure, an object, a circle, are forms; they affect us more or less intensely.
Meditation means cleansing the mirror, dropping thoughts, letting thoughts disappear, attaining to moments when thinking ceases. And those are the most blissful moments in life. Once you have tasted a single moment of no-thought, you have taken a great leap into truth; then things will become more and more easy every day.
The catalogue of forms is endless: until every shape has found its city, new cities will continue to be born. When the forms exhaust their variety and come apart, the end of cities begins.
Usually, the way I write is to sit down at a typewriter after that year or so of what passes for thinking, and I write a first draft quite rapidly. Read it over. Make a few pencil corrections, where I think I've got the rhythms wrong in the speeches, for example, and then retype the whole thing. And in the retyping I discover that maybe one or two more speeches will come in. One or two more things will happen, but not much.
When you're a kid, you think, "Well, I will grow up and I will get a wife and we will have kids and then we will have grandkids." My life has a different shape. That is weird, but there are things about it that are exciting.
Plunge into the world, and then, after a time, when you have suffered and enjoyed all that is in it, will renunciation come; then will calmness come. So fulfill your desire for power and everything else, and after you have fulfilled the desire, will come the time when you will know that they are all very little things; but until you have fulfilled this desire, until you have passed through that activity, it is impossible for you to come to the state of calmness, serenity, and self-surrender.
It's not that everything needs to have substance, but when nothing does then you know we're living in a bankrupt society, an artistically bankrupt society, and that's not okay. I think there's room for forms of entertainment that are very light and frivolous and fun, but when those forms of entertainment, forms of "art" if you will, become presented as something more than that, and are believed to be something more than that, then we've got a lot of problems.
I like to say that I always have a whole book in front of me. I write down the major beats, the major action moments or emotional moments. In theory, that's a book - it's just one page long. Then I start to go back and fill things in.
None of us, irrespective of our sexual preference and/or practice, imagine that we can have an intimate relationship with a partner and always have seamless harmony. Indeed, most of us assume that once the “honeymoon” period is over differences will emerge and conflicts will happen. Positively, we also assume that we will be “safe“ in those moments; that even if voices are raised and emotions expressed are intense, there will not be and should not be any abuse or any reason to be unsafe, and that the will to connect and communicate will prevail.
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