A Quote by Alan Menken

My first success was 'Little Shop of Horrors,' and I had been working for years on jingles. — © Alan Menken
My first success was 'Little Shop of Horrors,' and I had been working for years on jingles.
Most of my actor friends don't believe it's possible to let go of it and be happy, and for a while that was true for me. For the first two years I ached, every day. And I had such bad dreams. But then I made the decision to start working on my little shop and all that went away.
Most of my actor friends dont believe its possible to let go of it and be happy, and for a while that was true for me. For the first two years I ached, every day. And I had such bad dreams. But then I made the decision to start working on my little shop and all that went away.
Ever since I've been blessed with success, I've struggled a little with anonymity and even family. I've had people calling asking for money, and I have to ask them first, 'Are you working? Have you been trying to help yourself?' Then I feel like I can help.
A lot of what I've done has a rock edge, even going back to 'Little Shop of Horrors.'
Working in a store and being a shop assistant, if you don't know what to do and you like fashion, I think it's a great way of getting into the business because you do windows, cleaning, and everything. That was my school for two years, working in a shop, and that's how I met people in magazines and designers.
When I was pregnant with my first child, I was 35 years old, and I was working in a pet shop.
I was able to do a lot of music on 'SCTV,' and I was really lucky to do a musical; I got to sing the part of Seymour in 'Little Shop of Horrors.'
The one dream I have is to do a musical. I love singing, but most people don't know because I don't sell myself as a musical person. My dream is to play Audrey in 'Little Shop of Horrors' - it would be so interesting to have an Asian Audrey because it's all about achieving the American dream in a sinister, success-driven way.
I've rewritten a lot of the scripts I've done. 'Little Shop Of Horrors' was a complete rewrite, but I didn't touch the dialogue. Essentially, I'm a very good editor.
I can't imagine being mayor and not having had the experience working for President Clinton or President Obama, or, for that matter, working in Congress. On the other hand, I think I would have been a better adviser had I been mayor first. If I had had this job first, I could have seen the implications of things I was doing.
I had a lot of success for many years, and the critics had been so kind. Sometimes it's good to get cut down to size a little bit.
When I had my daughter, I'd been chugging along in my career and had great mentors and success, but it was the first time it hit me that I really loved working and having that professional outlet.
The dove act? I'm still working on it. I don't think it's perfect yet. I got my first pair of doves when I was 14 years old. That was the beginning of the formation of that act. So it's been 24 years now that I've been working on it.
The first time I was nominated for an award for professional acting, I was in my mid-twenties. I was married and the mother of my first two daughters. I had been working for near to 15 years.
What was happening was only the working-out of a process that had started years ago. The first step had been a secret, involuntary thought, the second had been the opening of the diary. He had moved from thoughts to words, and now from words to actions. The last step was something that would happen in the Ministry of Love. He had accepted it. The end was contained in the beginning.
The thing is, when I had my first success it did coincide with the end of my first marriage, and because I went on to have a very, very unhappy two years, I don't think I equate career success with personal happiness.
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