A Quote by Alan Menken

I always wanted to be a composer, and I sort of went in to NYU as pre-med because I just thought, 'Well... who actually becomes a composer?' — © Alan Menken
I always wanted to be a composer, and I sort of went in to NYU as pre-med because I just thought, 'Well... who actually becomes a composer?'
Originally, I wanted to be a composer. I always tell people, 'I think of myself as a composer.
Originally, I wanted to be a composer. I always tell people, 'I think of myself as a composer.'
If a composer could state in words what being a composer means, he would no longer need to be a composer.
To make good films, you have to have a good relationship and good collaboration as composer-director, composer-editor, composer-production designer-actor because you're working with the actors on screen.
It's really been enlightening for me to work with composers because I used to think that everything in the music was exactly what the composer meant. Well, it's what the composer meant in that moment when they wrote it.
I am a passionate, committed composer, and the guy I used to write musicals with, once he was able to ditch me and get a better composer, actually won the Tony.
It is always interesting and sometimes even important to have intimate knowledge of a composer's life, but it is not essential in order to understand the composer's works.
Well, my parents originally wanted me to become a doctor - that's why I was in school; I was pre-med, and I graduated with a degree in psychology and a concentration in neuroscience. Really, the plan was for me to go to med school.
In a way, the highest praise you could give to a composer like Bach was to take and make your own arrangement; it was sort of an homage to that composer and to his work, so it wasn't considered sacrilegious to do something like that.
I always did plays, and when I went to NYU - and I didn't go to Tisch, the theater school, because I was like, 'Well, acting's not realistic. You can't make a career out of it.' So I just studied general studies and humanities at NYU, but I was doing plays while I was there. So I was sort of cheating.
Every bit of theorizing I've ever done, including my interest in Berg, has come as a consequence of discoveries I made as a composer and interests that I developed as a composer. I never thought of my theory as being a kind of irrelevant activity to my composing.
Perhaps within the next hundred years, science will perfect a process of thought transference from composer to listener. The composer will sit alone on the concert stage and merely 'think' his idealized conception of his music. Instead of recordings of actual music sound, recordings will carry the brainwaves of the composer directly to the mind of the listener.
I find respect for a mediocre British composer, as opposed to a really good American, ridiculous because they automatically respect a composer if he's from England.
I was always interested in medicine and I was actually a pre-med major.
I'm not a script composer. I'm a film composer and my brain is excited by images and moving elements.
I wanted to be a doctor. I was pre-med at school, and I actually even took the MCAT. My ultimate decision was that I didn't love the work environment in a hospital.
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