A Quote by Alan Moore
I'm dependent on writing for a living, so really it's to my advantage to understand how the creative process works. One of the problems is, when you start to do that, in effect you're going to have to step off the edge of science and rationality.
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We are living in a society that is totally dependent on science and high technology, and yet most of us are effectively alienated and excluded from its workings, from the values of science, the methods of science, and the language of science. A good place to start would be for as many of us as possible to begin to understand the decision-making and the basis for those decisions, and to act independently and not be manipulated into thinking one thing or another, but to learn how to think. That's what science does.
Science is really about describing the way the universe works in one aspect or another in all branches of science-how a life-form works, how this works, how that works. ... You have to have a natural curiosity for that.
I can pretty much spend an entire week talking about how the writing process works, to be honest! It can really vary from project to project and is often dependent on when you're brought on board, the genre, the platform and the narrative desires of the project.
I think the older that I'm getting, the more I'm understand what a privileged job I have, and what an opportunity I have. Now I'm directing films and I'm getting my first movie in America off the ground, and you start to understand how the system really works.
I don't really know how writing process happens, how these songs are arrived at. One of the things I like about the writing process is, I don't necessarily know where it's going, and even if I think I know where it's going, it'll turn out different. I find that exciting and rewarding.
I think therapy interferes with the creative process. It takes off the edge.
We don't think about how the songs are going to translate so much during the writing process. Once the song is recorded, and once we're mixing, that's when it occurs to me. Then you start rehearsing to play shows. I never concern myself about how we're going to pull it off live, because I know we'll figure out a way to do it.
I think you have to learn for yourself how to write. I'm slightly mystified by creative writing courses - God love them - because I can't understand how you can explain a process that I find so baffling.
I was writing short films and I was going through this really, really, really terrible end of a relationship that I didn't want to be going through. It was too much for me to process and all of a sudden I had this idea for my first feature film and I knew right away I had to start writing it.
The way to start writing isn't by writing at all. But by living. It isn't about creating something from thin air, but about documenting our personal feelings about the things that we see. Or to put it crudely, how are you going to be a storyteller if you have no story to tell? Perhaps, in the end, there are no such things as creative people; they are only sharp observers with sensitive hearts.
I think it starts to feel really redundant when you start to do something the same way over and over again. I don't think it's good to become so dependent on a certain writing process.
The whole point of science is that most of it is uncertain. That's why science is exciting--because we don't know. Science is all about things we don't understand. The public, of course, imagines science is just a set of facts. But it's not. Science is a process of exploring, which is always partial. We explore, and we find out things that we understand. We find out things we thought we understood were wrong. That's how it makes progress.
I think any start has to be a false start because really there’s no way to start. You just have to force yourself to sit down and turn off the quality censor. And you have to keep the censor off, or you start second-guessing every other sentence. Sometimes the suspicion of a possible false start comes through, and you have to suppress it to keep writing. But it gets more persistent. And the moment you know it’s really a false start is when you start … it’s hard to put into words.
Those people who are scared of science or are a bit dismissive of science tend to not really understand what science really is, which is the most beautiful, most elegant and most creative way of looking at the world.
I think there are dozens or hundreds of different forms of creativity. Pondering science and math problems for years is different from improvising jazz. Something which seems to me remarkable is how unconscious the creative process is. You encounter a problem, but can't solve it.
To work in architecture you are so much involved with society, with politics, with bureaucrats. It's a very complicated process to do large projects. You start to see the society, how it functions, how it works. Then you have a lot of criticism about how it works.
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