A Quote by Alan Moore

I find that if I'm watching somebody upon television or in a movie that is on a window ledge or in some high precarious position my hand starts sweating and I get that crawling feeling in the soles of my feet.
Life balances itself on a precarious ledge, we can stay safe up high or propel off the edge.
Auditioning is important, and I understand that. If there is somebody making a movie, if there is somebody manufacturing a movie, they want to look at the goods. I get it. I mean, I've been in that position.
I couldn't say no to jobs and I couldn't say no to drugs. I'd get high from a movie, I'd be somebody else because I didn't particularly like me, so long as I had a script in my hand, I was okay. As soon as the movie was over, I didn't know what to do.
Why would I want anyone to advertise on the soles of my boots? The only time you'll see the soles of my feet is when I'm dead.
There is a difference. You watch television, you don't witness it. But, while watching television, if you start witnessing yourself watching television, then there are two processes going on: you are watching television, and something within you is witnessing the process of watching television. Witnessing is deeper, far deeper. It is not equivalent to watching. Watching is superficial. So remember that meditation is witnessing.
The end is near. I hear a noise at the door, as of some immense slippery body lumbering against it. It shall not find me. God, that hand! The window! The window!
It's just amazing how television permeates the entire world from people who are just listeners and viewers to people of considerable importance who find relaxation watching television. Somebody called it a talking lamp. Television, that is.
High fidelity is a rich experience, and you'll put up with terrible convenience to get it - maybe it's high cost, waiting in line, jumping through hoops. High convenience is the opposite - it's a commodity, but it's cheap and easy and ubiquitous. A great exclusive boutique shop is high fidelity; Wal-Mart is high convenience. Both are hard to establish in their own way. The thing to remember about sustaining either is that you can't sit still. Some other entity will always find a way to challenge your fidelity position or your convenience position.
The fact is, after a certain age, high heels can feel as painful as someone sticking hot pins into the soles of your feet.
I'm doing my sit-ups and watching CNBC. Suddenly, somebody starts talking about me on television... The business has gone into a weird zone of visibility. For those of us who have done it for a long time, it's strange.
It's a bit like some martial arts: if you're behind somebody there's not much they can do, if you're in a certain position. So same thing with a fish, if you're in the right position you're okay. As soon as you get in the wrong position you can be in very real danger.
My personal feeling is that ultra-high frame rates and ultra-vivid giant screen movies can be like a window onto reality. And if you recognize it as such, you can write your screenplay, direct your movie, edit it, and present it as a live experience - not like a movie.
"Jogging Gorgeous Summer" song was inspired by a general feeling of sunshine, feeling good, sitting in the backseat of a car and hearing a song for the first time on the radio and feeling warm. I went back to the house I grew up in, and the people let me in to walk around. I went into my sister's old bedroom, and on the window ledge there was this little handwriting from my sister, and it said, "Jogging Gorgeous Summer." I thought that was a really pretty phrase.
Peering from some high window; at the gold of November sunset (and feeling that if day has to become night this is a beautiful way).
I can't take not knowing what the next day will bring- the uncertainty is sawing me in two. The room is dark. A flickering candle burns on the window ledge a few feet away. I take a deep breath, which is to say, as deep a breath as I can take. "Are you okay?" Sarah asks. I wrap my arms around her. "I miss you," I say. "You miss me? But I'm right here." "That's the worst way to miss somebody. When they' re right beside you and you miss them anyway.
Sometimes people get in position where they get in a big movie and overplay their hand. What that huge check does is put a target on an actor's back.
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