A Quote by Alan Moore
I suppose that the main drive is to find the edge of something and then throw myself over it.
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Maybe I was blessed that my main drive was purely selfish. I needed to make something, make my life better, wider, have poetry in my life, have something that gives me hope on an everyday basis. That was my main drive all along, really.
Ten years ago, I went to visit my dad in Australia. I walked to the edge of a cliff and looked over and tripped. I righted myself but my head was over the edge. No one saw it.
I like pushing the envelope. I like pushing myself and the audience, whether it's a TV show or live. I like to throw people over the edge of the cliff and scare the wits out of them, but then pull them back and make them safe.
What I have in me... it's not hard, and it's not cold, and it's not fierce ambition, that's not what it is. It's a drive [for success], but it's not a drive...it's being driven, it's something I have no control over. It's something pushing me, I'm not pushing myself.
In order to find the edge, you must risk going over the edge.
You have to expose part of yourself to create a character deep enough for readers to care about. You try not to because it's hard and at times shameful, but then when you read those pages over and you see they have no life to them so you throw them away and force yourself to be more honest. So I suppose the answer is I see myself in all my characters, in their best moments and in their worst.
You create a pile of dirt and then drive over it. We may have to learn to drive all over again.
Then I said something. I said, Suppose, just suppose, nothing had ever happened. Suppose this was for the first time. Just suppose. It doesn't hurt to suppose. Say none of the other had ever happened. You know what I mean? Then what? I said.
What I react against in other people's work, as a filmgoer, is when I see something in a movie that I feel is supposed to make me feel emotional, but I don't believe the filmmaker shares that emotion. They just think the audience will. And I think you can feel that separation. So any time I find myself writing something that I don't really respond to, but I'm telling myself, 'Oh yes, but the audience is going to like this,' then I know I'm on the wrong track and I just throw it out.
Basketball isn't easy. All my life I've been striving to make myself better. It's a full time commitment. To be the best, you have to work the hardest. You have to chase what seems impossible over and over and over again, because giving up is not an option, and when you feel like you've reached your limit, it's only the beginning, that's when the time to dig deep, to find the courage to push some more, because if you've got the drive, the discipline, and the resolve to do what it takes to make yourself great, then the rewards are endless.
I find it really hard to throw myself into something artistically where I'm making up a whole character and finding something for that character to do.
I come from grunge, and then Brit-pop, scenes where you boast about how little you spent on an outfit. ... Now, it seems you must find The Dress, then The Dress needs to have The Belt, and a complementary but not overly-matching bag must be found which works with not only the correct hosiery, but with something to throw over yourself if you become chilly.
Ambition is vital, but dangerous: it is a keen motive and a driving force, but over what edge can it drive the artist?
I argue with myself, get mad at myself, throw myself around the room and then apologize to myself.
I suppose that the main benefit of being rich (over just being independent) is to be able to despise rich people (a good concentration of whom you find in glitzy ski resorts) without any sour grapes. It is even sweeter when these farts don't know that you are richer than they are.
Usually I'll drive to certain locations over and over again, over a course of months really. And then it might just be I hit it at the right time, and the right light. And then I might go to that location over and over again, and then what happens in that lag time where - the image sort of locks in - all of a sudden I see it in my mind's eye.
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