A Quote by Alan Moore
I don’t distinguish between magic and art. When I got into magic, I realised I had been doing it all along, ever since I wrote my first pathetic story or poem when I was twelve or whatever. This has all been my magic, my way of dealing with it.
Related Quotes
Art is magic... But how is it magic? In its metaphysical development? Or does some final transformation culminate in a magic reality? In truth, the latter is impossible without the former. If creation is not magic, the outcome cannot be magic.
I had loved magic tricks from the time I was six or seven. I bought books on magic. I did magic acts for my parents and their friends. I was aiming for show business from early days, and magic was the poor man's way of getting in: you buy a trick for $2, and you've got an act.
Do you hate me because I have magic?" "Of course not." "Do you love me despite my magic?" He thought a minute. "No. I love everything about you, and your magic is part of you. That was how I got past the Confessor's magic. If I had loved you despite your power, I wouldn't have been accepting you for who you are. Your magic would have destroyed me.
There is some confusion as to what magic actually is. I think this can be cleared up if you just look at the very earliest descriptions of magic. Magic in its earliest form is often referred to as “the art”. I believe this is completely literal. I believe that magic is art and that art, whether it be writing, music, sculpture, or any other form is literally magic.
And that's what I don't like about magic, Captain. 'cos it's *magic*. You can't ask questions, it's magic. It doesn't explain anything, it's magic. You don't know where it comes from, it's magic! That's what I don't like about magic, it does everything by magic!
Magic has been around forever, and it's also been in trouble forever. I'm not suggesting that there was ever a time when the practice of magic was celebrated by those in power. Actually, such practices were routinely demonized by monarchs and organized religions precisely because magic is inherently democratic.
If I had auditioned for 'Merlin' on magic alone, I don't think I'd have got it. Like any kid, I probably had a magic kit, but it's not something I ever pursued. I've never watched a magic show like David Copperfield or used him to base my character on, but I really like David Blaine and Darren Brown. They are doing wonders.
Everything I do is alchemy. That's why I believe in magic. Not black magic, not the satanic magic that they practice in Hollywood and that the deep state practices and that the media practice. I believe in good magic, light magic, alchametic magic.
If the world held magic powerful enough to make the elephant appear, then there must exist, too, magic in equal measure, magic powerful enough to undo what had been done.
William knows that science and magic are the same thing; magic is only science that hasn't been explained yet. Tonight he has made chemistry into magic for her.
I continue to say that I wish we had another word other than magic. It no longer means what we are doing or we are attempting to do. We have to find another terminology. Magic is first and foremost a way of belief.
I'd like to transform the system in very fundamental ways, but you've got to do that in every way that you can. You can't wait for some magic bullet or some magic politician or some magic anything to have that happen. You got to get out there and use your vote.
I write some crappy songs. ... but every once in a while I get just the right words put together for the right moment, and it feels like magic. There is no explaining the magic. It floats in and then just like that, it floats out. There's no amount of money that will buy magic. I've watched myself try to coax it, but it is only when I relax and totally allow magic to envelop me that it has ever been kind.
For me, a great fantasy is real people, a world I recognise, human struggle and magic. You've got to have magic to make a fantasy work. But I like my magic to be subtle. I don't want magic coming out of the hands of wizards. I want it to be pervading, sinister somehow.
If they were real, then maybe the world was big enough to have magic in it. And if there was magic — even bad magic, and Zach knew it was more likely that there was bad magic than any good kind — then maybe not everyone had to have a story like his father's, a story like the kind all the adults he knew told, one about giving up and growing bitter.
The magic - we can try to capture the magic - the music that comes out of the speakers. That sparkle of magic that we can get sometimes is just what we are looking for and if it works while we're in the studio the two of us, then we think that maybe we can share it with an audience. And it's been the case from the beginning.
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