A Quote by Alan Moore
I've always wanted to explore characters of all races, all genders, all ages. It just seems to me to be a natural way to approach any kind of storytelling.
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The idea of using media for expressing yourself artistically is kind of something I learned from my mother and my father. So for me, I think growing up wanting to be an artist, I always imagined myself sort of crossing over or mixing media and so it was a natural evolution for me to try to express in a filmic way or in a visual way. It just kind of seems like a natural sort of progression for me in terms of what I'm trying to do as an artist.
Any narrative, whether it's fiction or not, you have to approach it as though it really happened to you. I think that's the only way to get inside the characters and make the narrative work. It's a storytelling tradition, and I think to come off as genuine then you have to really approach it that way.
What's great is that because math is such a universal language, really, our fans come in all shapes and sizes, all ages and genders and races and backgrounds and cultures.
I know with Gary Ross especially, he kind of gave me pointers here and there, but he kind of let me become firm in any way that I needed, and he just let me try things and to explore what I can do with my acting. So that was very helpful.
But in a TV series, you can really take a novelistic approach and explore characters that you wouldn't ordinarily see, in a level of complexity that you wouldn't ordinarily get to explore just out of the sheer time constraints in a feature.
I was lucky to be in a household where whatever I wanted to do was supported and my music was always such a natural part of me, and I was never told that I couldn't do it. So I've always been able to follow my heart and my instincts and what I love, that being my art. And I know that not everybody really has that chance or that environment, the same one that I did, so I kind of want to help in any way that I can.
Very often, as an actress, there's some kind of stereotype, but with any good script, you should be able to swap the genders of all the characters, and it shouldn't make a huge difference.
I always wanted to make the matches in some way different unique and interesting. I never wanted to have that basic match. I just wanted us to stand out in some way or another, whether it was storytelling or interesting wrestling moves.
I think my sensibilities about storytelling and character just automatically come into play when I'm trying to work on any kind of narrative. For me, it doesn't really matter what the source of the narrative is. I will be looking for ways to make it into an intriguing story with empathetic characters.
For me, honestly, one of the first movies I did I was always pounding coffee, and I crashed so horribly. So I've kind of weaned myself off. You keep getting second and third winds. But for me, I've stopped doing energy drinks or any kind of stimulant. I just kind of go natural.
I quite like the idea - just as an abstract idea - of 12 people's collective life experience and wisdom being this formidable thing. People say juries can be led - I think 12 people from different backgrounds, different races, different genders, different ages, it's hard to hoodwink.
The rainbow is a part of nature, and you have to be in the right place to see it. It's beautiful, all of the colors, even the colors you can't see. That really fit us as a people because we are all of the colors. Our sexuality is all of the colors. We are all the genders, races, and ages.
I wanted to explore cancer not just biologically, but metaphorically. The idea that tuberculosis in the 19th century possessed the same kind of frightening and decaying quality was very interesting to me, and it seemed that one could explore the idea that every age defined its own illness.
I've been obsessed with this kind of visual storytelling for quite a while, and I try to create material that allows me to explore it.
My natural state is one that's affected by the shortage of dopamine production in my brain. So my natural state is to be halting and at times tremulous and kind of just physically disturbed. I mean, that's my natural state, given the situation in my brain. But I'm always as happy either way. And so when it comes to me, body language lies.
When I started off with Trainspotting, it was the way the characters came to me. That's how they sounded to me. It seemed pretentious to sound any other way. I wasn't making any kind of political statement.
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