A Quote by Alan Parsons

The Dark Side of the Moon is a fine album with a textural and conceptual richness that not only invites, but demands involvement. There is a certain grandeur. — © Alan Parsons
The Dark Side of the Moon is a fine album with a textural and conceptual richness that not only invites, but demands involvement. There is a certain grandeur.
When 'The Dark Side of the Moon' was a new album in 1973, a friend of mine walked into my room where I was working with a copy in his hand and said, 'You really have to do a play about this album.'
The Weezer 'Blue' Album is a classic. I think My Morning Jacket's 'Circuital' is a great album to have. Any Led Zeppelin album. Pink Floyd 'The Dark Side Of The Moon' or 'Animals.' I always catch myself at concerts being like, 'Oh, I just stared at the drummer for 15 straight minutes.' I study them.
What was supposed to be so special about a full moon? It was only a big circle of light. And the dark of the moon was only darkness. But halfway between the two, when the moon was between the worlds of light and dark, when even the moon lived on the edge...maybe then a witch could believe in the moon.
I would pretty much like to forget the music that happened to me between the ages of eight and 11, so I'm going to say the first album I bought was the special edition of 'Dark Side of the Moon.'
[About being a teenager] Like, at first it's fine and you think you have a dark side - it's exciting - and then you realise the dark side wins every time.
I’ll feel that horrible feeling in my stomach you get when you’ve gone over to the Dark Side. But I’ll be fine. That’s the good thing about the Dark Side. Eventually, your eyes adjust.
And if your head explodes with dark forebodings too I'll see you on the dark side of the moon.
There is no dark side of the moon really. Matter of fact it's all dark.
It is only after we have integrated the dark side of the moon into our world view that we can begin to talk seriously of universal culture.
Although I'm an atheist who believes only in great nature, I recognize the spiritual richness and grandeur of the Roman Catholicism in which I was raised.
All that you touch All that you see All that you taste All you feel. All that you love All that you hate All you distrust All you save. All that you give All that you deal All that you buy, beg, borrow or steal. All you create All you destroy All that you do All that you say. All that you eat And everyone you meet All that you slight And everyone you fight. All that is now All that is gone All that's to come and everything under the sun is in tune but the sun is eclipsed by the moon. "There is no dark side of the moon really. Matter of fact it's all dark.
Photography has an amazing ability to capture the fine detail of surface textures. But far too often these intricate patterns are loved by the photographer for their own sake. The richness of texture fascinates the eye and the photographer falls easy prey to such quickly-caught complexities. The designs mean nothing in themselves and are merely pictorially attractive abstractions. A central problem in contemporary photography is to bring about a wider significance in purely textural imagery.
It's great to have the chance to play a character before he goes to the dark side, or the yellow side if you will. Normally, you don't get that opportunity. The narrative of a movie usually demands that you are that guy from the start.
A lot of good has come from drugs. I think 'Penny Lane' is worth 10 dead kids. Dark Side of the Moon is worth 100 dead kids. Because a lot of kids wouldn't even be born if it weren't for that album, so it evens out.
Poetry is the dark side of the moon.
So much of grandeur and richness in songs unnerve me.
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