A Quote by Alan Parsons
I try to find a way that the other guy hasn't thought of using a sound or a sample.
Related Quotes
We're all about exploring new sounds, so we don't have any limits whatsoever about how we go about finding them. We do tend to sample human vocals or sample sounds, which allows you to create your own sound. That's not our only way obviously, but that's a way you can use a sound no one's used before; it's not a sound in the synth. There's a lot of that going on in our songs in general.
The wonderful thing about rock music is even if you hate the other person, sometimes you need him more, you know. In other words if he's the guy that made that sound, he's the guy that made that sound, and without that guy making that sound, you don't have a band, you know.
I can't just sing karaoke; I can't do anything to try to sound like other people. I have to find what I naturally sound like and emphasize that.
I thought the best thing you were supposed to do was find somebody and try to sound like them.
When I'm fighting, I'm trying to find a reaction. I try to make the guy move; I try to make him do things that I want him to do. If he likes moving a certain way, I try to set something up so I catch him if he moves that way.
I think the process is one of using the camera and sound in the way a detective uses a magnifying glass: to find the clues. They're discovery devices, not performance devices - you're watching things the way a cat does. You're not judging. You're there to witness something.
I collaborated with a brilliant young sound designer named Anthony Mattana, who enriched the sound of the total production with vocal effects, percussive and other sounds. He also mixed the sound effects and the music, using the theater's first rate sound system to complement the theater's acoustics. This completed my score.
I try to listen to people, coaches and other pitchers, and see what they do and how they try to do it. Then I try to find a way that's comfortable for me.
We had always used found sound, but we had always used it in an analogue way. And it was the early days of using collage and sound in a digital way. MTV, a couple of years later would be that way.
The approach to acting is always the same, you try to figure who the guy is and then you try to transition your way into his way of thinking and moving through the world. The rest of it is just accoutrements, you don't play the makeup, you play the guy. If you're not wearing makeup, you just play the guy.
We're all people. We all need to just try and find a way to love each other and accept each other and try and make the world a better place.
This is going to sound cheesy, but with acting there are so many tools. When you're on camera, you're using all of it. You're using the voice, you're using your body, you're using wardrobe, all of it, but it's funny, once you take all of those things away, you realize how much you rely on the physicality.
It's useless to try and make rhyme or reason of it, because one guy thinks one thing and the other guy sees a whole other thing. So I try not to take them too seriously. Lately I have them screened so I only read the positive ones.
I make fun of situations and try and find the humor in things, but it's never at the expense of the other guy.
I try not to force my sound on everybody. I try to yield unto each artist and... I try to just support that sound rather than force a sound that might not fit.
[Donald] Trump, I think, is the sort of guy that if he maybe thought he'd made a little bit of a mistake, would find a way out, he wouldn't want to say, "Well, that's what I've done and I'm sticking to it, and I don't give a damn." Which is what the other people in America would be like.
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