A Quote by Alan Paton

If you wrote a novel in South Africa which didn't concern the central issues, it wouldn't be worth publishing. — © Alan Paton
If you wrote a novel in South Africa which didn't concern the central issues, it wouldn't be worth publishing.
It is clear that a novel cannot be too bad to be worth publishing. . . . It certainly is possible for a novel to be too good to be worth publishing.
South Africa is regarded as being an extraordinarily important country - not just for South Africa, but for Southern Africa, for the BRICS, working now in a new way in which power is becoming more shared - thankfully.
When I was in government, the South African economy was growing at 4.5% - 5%. But then came the global financial crisis of 2008/2009, and so the global economy shrunk. That hit South Africa very hard, because then the export markets shrunk, and that includes China, which has become one of the main trade partners with South Africa. Also, the slowdown in the Chinese economy affected South Africa. The result was that during that whole period, South Africa lost something like a million jobs because of external factors.
The southward advance of native African farmers with Central African crops halted in Natal, beyond which Central African crops couldn't grow - with enormous consequences for the recent history of South Africa.
I feel no bond with South Africa, which is curious, since South Africa is where I was born.
And now South Africa has finally woken up and it is doing great things. And if South Africa becomes the template to what AIDS is in the sub-Saharan continent, then all the other countries are going to follow suit. And Michel Sidibe, who spoke at the breakfast meeting this morning, was saying that there is so much hope for Africa now that South Africa has got its house in order.
I returned to Kabul after a 27-year absence. I came away with some optimism but not as much as I had hoped for. The two major issues in Afghanistan are a lack of security outside Kabul (particularly in the south and east) and the powerful warlords ruling over the provinces with little or no allegiance to the central government. The other rapidly rising concern is the narcotic trade which, if not dealt with, may turn Afghanistan into another Bolivia or Colombia.
I wrote my first novel-length story when I was 14 but had no idea what to do with it. Brisbane was a long way from the publishing industry then. Nowhere's a long way from the publishing industry now.
The point is, that the function of the novel seems to be changing; it has become an outpost of journalism; we read novels for information about areas of life we don't know - Nigeria, South Africa, the American army, a coal-mining village, coteries in Chelsea, etc. We read to find out what is going on. One novel in five hundred or a thousand has the quality a novel should have to make it a novel - the quality of philosophy.
My maternal family are South African and when I was small and my parents separated my mother and I went back to South Africa. So for me the emergence of my own childhood consciousness was in the context of 1970s and 1980s apartheid South Africa and the movement there.
I wrote 'Don't Look Back' in November 2011, and when I wrote the novel, it wasn't contracted, so there was a freedom in that - no expectations or anything like that. It was also my first contemporary novel I'd written and sold, which was to Disney/Hyperion in January of 2012.
Let us pray for peace in Africa, especially in the Central African Republic and in South Sudan.
It deals with so many different aspects of living in South Africa the racial issues of South Africans and Asians with poverty with the reality of children orphaned by AIDS the transition from village life to city life.
I live in South Africa. I'm proud to live there. I've always said I want to be a comedian from South Africa in the world. I will stay in places for a bit here and there and pop into New York for a while, maybe stay in London for a year, but my home will always be South Africa. I enjoy it too much.
When I wrote my first serious novel, 'Interior', I was inspired by a 1978 book of Updike's, 'The Coup', which is set in Africa and will come as a delightful surprise to anyone who has only read his Americana.
The international community has to overcome its differences and find solutions to the conflicts of today in South Sudan, Syria, Central African Republic and elsewhere. Non-traditional donors need to step up alongside traditional donors. As many people are forcibly displaced today as the entire populations of medium-to-large countries such as Colombia or Spain, South Africa or South Korea.
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