A Quote by Alan Price

I tend to think of the organ as part of the rhythm section, rather than a frontline voice. — © Alan Price
I tend to think of the organ as part of the rhythm section, rather than a frontline voice.
I have a West Coast rhythm section and a New York rhythm section. I've got them spread out all over the place.
Christlike communications are expressed in tones of love rather than loudness. They are intended to be helpful rather than hurtful. They tend to bind us together rather than to drive us apart. They tend to build rather than to belittle.
I think that the rhythm sections, drummers in particular, are the unsuing heroes of the music. It's the rhythm section that has changed the styles from one period to the other.
Although we tend to think of the brain as a discrete organ - a lump of squidgy tissue - it is better to think of it as part of an elaborate network of nervous tissue that reaches out to every single part of the body.
An important part of being in a band is the rhythm section.
If you don't have a good rhythm section, your band is toast; you're a bar band. Good rhythm section, you've got a chance to get out of the bar.
I can't get very excited about a musician who can do Art Tatum because I've got the Art Tatum records. I want to hear him take that and do something that hasn't been done. And there's enough of that going around that keeps the music very exciting. There's so many great young players coming out. I think we're in some kind of renaissance, especially in the rhythm section. I mean the musicians on drums and bass and guitar are really trying to figure out different ways to bring a rhythm section together.
The thing that I always notice that dates a record is the rhythm section. With a good arranger the music can be timeless. But, rhythm can change, because heaven knows, we didn't know rock was going to come in, did we?
Analogue. A part or organ in one animal which has the same function as another part or organ in a different animal.
Your voice sounds completely different in different languages. It alters your personality somehow. I don't think people get the same feeling from you. The rhythm changes. Because the rhythm of the language is different, it changes your inner rhythm and that changes how you process everything.
The Post-Dispatch will serve no party but the people; be no organ of Republicanism, but the organ of truth; will follow no causes bit its conclusions; will not support the Administration, but criticize it; will oppose all frauds and shams wherever or whatever they are; will advocate principles and ideas rather than prejudices and partisanship.
The voice of history is often little more than the organ of hatred or flattery.
A lot of places we go, when they see the organ coming in, they're expecting rock and roll, but after they hear us play they like it. To me, guitar cuts through-it carries more than organ. But organ has got more guts.
When I started out, even though you had your rhythm section, they were big horn sections, strings, live people laying on every part of the floor in the studio waiting for their chance to get on that one little track.
Whether I'm performing or directing, I'm aways thinking about rhythm; sometimes it's nailing the right rhythm, and sometimes it's intentionally breaking the rhythm. Those two things are what make something funny or not. How long a shot is and where you put the camera are all part of that rhythm of directing.
But I tend to think of the expressive part of me as rather tedious - never curious or responsive, but blind and self-serving.
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