A Quote by Alan Rickman

All I want to see from an actor is the intensity and accuracy of their listening. — © Alan Rickman
All I want to see from an actor is the intensity and accuracy of their listening.
What a newspaper needs in its news, in its headlines, and on its editorial page is terseness, humor, descriptive power, satire, originality, good literary style, clever condensation and accuracy, accuracy, accuracy.
What a newspaper needs in its news, in its headlines, and on its editorial page is terseness, humor, descriptive power, satire, originality, good literary style, clever condensation, and accuracy, accuracy, accuracy!
When we get jealous, we tell stories to ourselves about other people. Jealousy makes you look for intensity rather than accuracy.
The Premier League is what it is. Some people will see the intensity and quality as a great advantage for your players: it will make them better. Some will see it as a disadvantage because the players play at such a high level and such intensity, it's difficult for them to drum that up, that intensity, with a very short space of rest time.
We do see Gong Li, Zhang Ziyi and Chow Yun Fat, but it's very rare to see the Chinese male actor in Hollywood movies, which is something I take great umbrage with. You know, my son is Asian. He may want to direct one day; he may want to be an actor like his father - and I want that to be open to him.
I don't see myself coaching because the intensity of that is massive, and the intensity as a manager, for example Arsene Wenger, is even more.
I hate acting when I see it. I don't want to feel it, I don't want to see it, I want to be taken away with the story - I don't want the actor's ego in front of me. That's what I try to live when I do the work.
Become better listeners. Practice the art of listening in everything you do. Not just listening to yourself and your body, but listening to the people around you, listening to the plant world, the animal world. Really open your ears to what's coming at you. From there, see if you can have the ability to respond instead of react. And that usually comes with listening. If the observation and the listening are deep, then your action will be deep also.
When the Guest is being searched for, it is the intensity of the longing for the Guest that does all the work. Look at me, and you will see a slave of that intensity.
I see myself doing Harry Potter films as long as I'm enjoying it and as long as they are going to challenge me as an actor. I want to be an actor - it's my aspiration - so I want to do other films. I want to write something and I want to direct something!
I want to photograph what I see and put it in a dramatic context. I'm an actor and a writer, and I want to tell these stories and present these shapes, colors and movements as I see them, as I see them serve a narrative. As I see that narrative serve an audience. That's what I want to do.
I'm listening to the audience. Too many people in Hollywood make what they want to see and not what we want to see. I'm about us. Not about me.
As an actor, you generally want to see the other actor's face.
Well the way we perceive accuracy and what accuracy is statistically are really two different things.
You grow up loving movies, and your first instinct is you want to be an actor, because those are the people you see in the movies. But when you actually become an actor, you're like, 'Oh, wait, this is actually only a small portion of the storytelling. If I want to really tell a story, I'd want to be a director.'
If you could only play a record once, imagine the intensity you’d have to bring into the listening.
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