A Quote by Alan Rickman

Every so often you read a play and a character just speaks to you - almost seems to speak through you, in fact. — © Alan Rickman
Every so often you read a play and a character just speaks to you - almost seems to speak through you, in fact.
I always tend to see, right after reading the script, the character and how I want to play it. I guess that's sort of most of the work, preparing for the role, but almost the creation of the character seems to go on as I read through the script.
Very often what will happen between actors is that they'll develop kind of a ghost relationship in real life that reflects their relationship on screen or in the play that they're doing. In fact, I'd say that happens almost every time. I don't know why that happens, but it seems very common.
I read just endlessly, ceaselessly, almost every book, it seems!
The fact that I speak five languages is just a plus. I do not try to speak every language I know, in every movie. It must make sense. But, the fact that it's available gives a nice back-up.
One is only really inwardly comfortable, so to speak, after one's life has assumed some sort of shape. Not just a routine, like studying or a job or being a housewife, but something more complete than all those, which would include goals set by oneself and a circle of life-time type friends. I think this is one of the hardest things to achieve, in fact often just trying doesn't achieve it but rather it seems to develop almost by accident.
As a feminist, just to speak to what women go through, I think women are put in a box way too often. What I love about 'You're the Worst' is that no female character is portrayed as a black-and-white cartoon character. We're all complicated, messy human beings.
When I first read the scenes I got to audition, I just could tell there was obviously something there. The writing speaks for itself, but also it's just the fact that 'The Handmaid's Tale' is such an amazing story. I had never read the book before I auditioned.
For almost every novel I've written, I've read the daily newspaper of the time almost as if it were my current subscription. For 'Two Moons,' which was set in 1877, I think I read just about every day of the 'Washington Evening Star' for that year. For 'Henry and Clara,' I read the 'Albany Evening Journal' of the time.
When I read something, first I have an instinctual, emotional response to it. But of course, acting isn't only just feeling an instinct for what's going on in the moment with the character. You have to be able to carve it out and consider, follow, and create the whole journey that the character you play is going through.
I'm fanatical about sport: there seems to me something almost religious about the fact that human beings can organise play, the spirit of play.
Every so often when I'm writing, a character might actually be a distinct person in my head - often not an actor or a face, literally a person who just seems to exist in my imagination. Then the challenge is finding somebody who is close enough to that to make me feel like I've ended up where I wanted to be.
Not only do I have a great love for the game of golf - no matter how badly I play it - but I have also the belief that through every kind of meeting, through every kind of activity to which we can bring together more often and more intimately peoples of our several countries, by that measure we will do something to solve the difficulties and the tensions that this poor old world seems nowadays to so much endure.
Sometimes I'll get a premise, you know, for a book. In fact, I get those quite often. And I don't commit to it until I really know the voice of that character. It's almost as if the character is speaking to me.
It's almost like a theater, where I can play a character in every song, 'cause Kamelot songs are very... There's always a narrative going on. There's a story within albums and in songs, so I get to play a character and sing it in a different way than people might recognize coming from me.
I think everything you do, characters I always find, have their own voices and once you establish who that character is you find a different voice. I think it's just a question of establishing that character and the voice speaks through that character.
I just don't play a character for the heck of it. Rather, I always look for a human element in every character that I play.
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