A Quote by Alan Schaaf

If a whole bunch of users want a specific feature, and we think that feature is pretty cool, too, that that's just what we'll do. — © Alan Schaaf
If a whole bunch of users want a specific feature, and we think that feature is pretty cool, too, that that's just what we'll do.
While I'm doing [writing], I don't feel it.I don't think that's a failing. I think it's just a feature. Like, a feature of oneself.
I think that too often we, film directors, think that a big epic novel and feature film are the same. It's a lie. A feature film is much closer to a short story actually.
You sign for a sequel for everything these days, just in case, options. In the past, you avoided them like the plague because it meant somewhere down the road you couldn't take a job because you had to do a sequel. Now it's a feature of pretty much any feature you do.
I would love to do some type of action feature. That's my goal. A really cool, Transformers-type feature would be awesome.
A primary cause of complexity is that software vendors uncritically adopt almost any feature that users want.
I want to do feature films. I am flying to Malaysia to be in another feature film. We will be filming that in Malaysia, the Phillipines, and back in California.
I just know that making 'Beast' was an amazing experience. It was my first feature, it was the director's first feature, and every day, you're just trying to do good work and learn.
I think making shorts is really about giving yourself the opportunity to learn what your strengths and weaknesses are. That's really important to know before getting to your first feature. In many ways you can't afford to make too many mistakes while on that feature.
What is the best way to look for one´s chief feature?" someone asked. Simply see yourself. I do not know how to explain it better. It is possible one may find something -- chief feature of the moment. It is imaginary personality; this is the chief feature for everybody."Can one alter one´s chief feature?" asked someone else. First it is necessary to know it. If you know it, much will depend on the quality of your knowing. If you know it well, then it is possible to change it.
I think, for all trans people, it's not our only defining feature, but it is a defining feature.
When I was a kid, my pop used to take me to the double feature. He would take me - I had two brothers - and we used to go in the early '80s and check out these grindhouse movies - a double feature, sometimes a triple feature.
Shipping is a feature. A really important feature. Your product must have it.
Persecution is not an original feature in any religion; but it is always the strongly marked feature of all religions established by law.
I think feature films sell on the idea, and I think TV works based almost entirely on execution. I don't think anybody is going, 'Wow, that show is executed poorly, but the idea is so cool I just have to keep watching.'
It's a simple thing he [Frank Daniel] taught me. If you want to make a feature film, you get ideas for 70 scenes. Put them on 3-by-5 cards. As soon as you have 70, you have a feature film.
As soon as I finished film school I was thinking about, how do I get to feature films? It took about eight years, and I'm still working. Feature films was not the end goal. Feature films was one of the stages. Getting to the point of the Coen brothers or Tarantino, where you're writing your own material and have the budget to do it properly, that's the end goal, and I'm close to that.
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