It was an audition process after Breakfast Club, and I wasn't really sure I wanted to do the movie. There was a bigger role that Rob [Lowe] was already set to play, so the role they wanted me to audition for was Alec. [Director] Joel Schumacher... this is back in the days when you could trick me with things like this. He goes, "Don't you think you can play it?" And I go, "Okaaaaay." So then I did it for all the wrong reasons but I don't think I would fall for that again. Who knows. I might.
For some players it can be difficult at a smaller club and they suffer; they don't want to be at a club that's going to get relegated, so they think: 'Why am I here? What am I doing?' But it was good for me to go to Granada.
I've said all along that someday I wanted to go back home and play in Flordia. I played high school and college ball in Flordia and all my ties are back home.
I chose Schalke for a couple of reasons. I wanted to go back home, to be close to my little boy, and it's a great club.
There's this myth that there's no loyalty in football. Well, there's tremendous loyalty and emotion and respect that go into the coaches and players you've gone into battle with. But as an owner, you have to make the decisions that are the right ones for the organization, that are the right ones that will help you win.
The passionate fans, pumped full of adrenalin, think they own their club and, by extension, the players because they play for their club. They don't. It is the club who 'own' the player, and only while he is under contract.
Every club if I am not playing, I leave because I want to play football. All I wanted to do since I was a kid is play football and if I wasn't at a club I'd be playing with my mates on a Sunday. I still come home and play five-a-side with my mates.
Loyalty doesn't seem to be in the game that much these days where players leave their clubs which made them the stars they are today either to seek personal glory or fill their pockets. But one man serves as the epitome of club loyalty.
I'm sure at some point in my life, I'll want to go back to club football because people will say, 'Oh well, he did OK as an international manager, but he didn't work as a club manager.'
I think average players are able to play well now and again, or they'll play very, very well. Good players or great players, nine times out of ten, they have good games.
Having lost Rhett, she can always return to the land - to Tara, to soak up its strength. . . . Tara! . . . Home. I'll go home, and I'll think of some way to get him back! After all, tomorrow is another day!
You look at the way some of the big English players in the past, like Rooney and David Beckham, have been criticised and you have to ask: 'What do you want these players to be?'
Celtic are the club I supported as a boy, and I loved every moment I was there. For me to leave there, I knew I was going to have to not just come to a club, but I had to come to a special club that was going to allow me to connect with the players and hopefully the supporters, too.
I think in the future we need to look at our youth department to provide more players for the first team think it is important for a club to have a good amount of players that have roots with the club and region.
Some people think that Southern hip-hop doesn't have any depth. They think it's just noise, all about people having a good time in the club. And some of it doesn't have a lot of depth, it's true, but some does. I wanted to work against that stereotype. These are verses by Southern artists who are really wrestling with what it means to be here, young black men who are trying to figure out how to live in the South. So I wanted the epigraphs in my novels to reflect that.
I'm going to get criticised every game, you play well you don't play well, so I'm used to it.