A Quote by Alan Shepard

You may not have any extra talent, but maybe you are just paying more attention to what you are doing. — © Alan Shepard
You may not have any extra talent, but maybe you are just paying more attention to what you are doing.
Clothing sizes are weird, they go: small, medium, large and then extra large, extra extra large, extra extra extra large. Something happened at large, they just gave up. They were like, 'I'm not doing any more adjectives; you just keep putting extras on there.' We could do better than that: small, medium, large, whoa, easy, slow down, stop it, interesting, American.
You make a mistake, you better hope I wasn't paying attention and didn't see it, but if I catch you doing it and you think I'm not paying attention, then that's when you get in trouble.
You think everybody's paying attention to what you're doing. No, they're paying attention to what's interesting to them.
But writers experience the world and themselves in a unique way. We look for meaning. We see it even when we are not paying attention, which is seldom because, as writers, paying attention is what we do. We are scribes to the ticking of the days, and we have a job to do. We are not at peace unless we are doing it.
[The internet has] already had a huge impact in the sports world, and the play-by-play guys that are not paying attention to it are losing out. They're losing out on getting the real pulse of a game that they're covering. My point with blogs and with podcasts is that it can't be the basis of your prep work, there has to be much more. We understand that. But, it has to be at least a part of what you're doing. If you're not paying attention to it, then you're not seeing the full picture.
There isn't any formula or method. You learn to love by loving - by paying attention and doing what one thereby discovers has to be done.
When you're in there getting buckets, you're not really paying attention to who's there. You're just doing your thing.
I have always had trouble paying attention. When I was supposed to be at work, I'd be doodling. But then when I was home, trying to draw, I would be working on math problems. I never end up doing exactly what I should be doing at at any given time.
I want to be on a successful team, and I know that paying one or two or three players premium hurts your chances of being able to bring in extra talent.
If I have ever made any valuable discoveries, it has been due more to patient attention, than to any other talent
I did two matches for WCW, for 'Saturday Night' and for 'WorldWide.' Scott D'Amore was booking the extra talent. I remember I was really torn about it. I was like, 'Hmm... I don't want to do that. I don't want to just be an extra guy. I want so much more than that,' but I was flat broke, and it was 500 bucks.
It's a simple and an effective way of getting everyone on the same page, prepared and paying attention to the gag. People just get into that frame of mind of you doing impressions. It can take a minute or two for an audience to catch on when you aren't doing one.
In terms of being able to adapt to any situation on any given night, in any given moment and that just comes with nearly twenty years of experience and paying attention to the guys that I've tried to emulate throughout my career.
People in New York just go about their business. Maybe living there for a long time, it would get lonely, but there's something really nice about being able to go about your business and not feel like anybody is really paying attention to you or what you're doing.
James - "Are you paying attention or just trying to make me look like an idoit?" Elizabeth - "Oh, I'm definately paying attention. If you look like an idiot it has nothing to do with me.
If you want to get into the creative world, you have to just keep flogging away even when nobody's paying attention. Because then when somebody finally does pay attention, it's certainly a lot more interesting when you have a ton of stuff to show.
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