A Quote by Alan Sparhawk

Anybody who's putting out records is probably not making money at it. — © Alan Sparhawk
Anybody who's putting out records is probably not making money at it.

Quote Author

Alan Sparhawk
Born: 1969
I felt that making records in a traditional way - putting them out in the same way, wasting loads of money - was just a pointless exercise.
I've been putting out records for so long, but I didn't want to tour because I didn't think anybody really cared.
I feel like I'd like to continue putting out records and start putting them out more rapidly than I have until now and for me if I can keep selling the records to the fans that already like me that's fine.
Because obviously the whole purpose of putting records out is purely and simply to make money.
Most artists are making as much money now as they could have made... in the heyday of Def Jam [when the] Beastie Boys would sell 10 million records or DMX would sell 6 or 7 million records. Those records are one thing, but then all the other ways to exploit the emotional relationship between artist and community is so much greater that I would guess that they're making as much or more money than they could have ever made.
When I started making my own records, I had this idea of drowning out the singer and putting the rest in the foreground. It was the background that interested me.
It feels like there are two very different parts to making movies. There's the making of it and then there's the putting out of it - and I like the making of the movies a lot more than putting it out into the world.
There's this celebrity thing that goes along with making records or being a rock star. I'm into this celebrity thing just enough to let me go on making records and making a living out of it.
I did have a very determined idea of making money. I was quite savvy about that. And that was my most basic lesson. You do have to understand the economics. It's pointless putting in all that work and losing money. If you're not making a profit you're stuffed.
I'm not hurting anybody. Comedy's all about innuendo. I'm putting it out there just like anybody else.
You make decisions, and that's what separates art from some other pop music. It doesn't mean that you can't make an embarrassing amount of money, for a borderline Marxist, doing something that you love, but it does mean that this huge pool of money that was out there when I started making records in the '80s is gone.
Rock records. It's the main source of inspiration for people - fans, or musicians, or both - to act out in ways that they wouldn't normally act out. Especially rock critics. Ultimately, records don't really hurt anybody, and neither do reviews.
More recently I've come to terms with what I'm doing and why I'm doing it. That's why you start to see me recoiling from 'let's put out radio records, let's get rich and get on out of here.' I have gone towards more speaking to kids and putting out records that I like.
I've put out records over the years, whether it's with Blackfield or No-Man or Bass Communion or Porcupine Tree, that are pop records, ambient records, metal records, singer-songwriter records.
I've said this a lot lately, too: if, 20 or 30 years down the road, when everything's said and done, I was never able to achieve that level of zeitgeist again, then so be it. I know how rare it is for anybody to do that. But I also feel like, OK, we're getting on to 25 years of putting out records: that's also kind of rare air for anybody who makes music. And I think you just end up kind of grateful for every opportunity that comes along.
You were out on tour, 75 cities in 80 days, and then making records on top of it. And they started calling us the Hollywood Vampires 'cause anybody only saw us at night.
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