A Quote by Alan Titchmarsh
Julia Roberts was really rather lovely. I had to interview her on Pebble Mill At One years ago. You learn not to be starstruck if you're trying to get a decent interview out of someone. If you fall apart it's counter productive.
Related Quotes
People talk about this Julia Roberts almost like it's a cup of Pepsi. People think Julia Roberts is something they created. The fact is, 26 years ago, there was this scrunched-up little pink baby named Julia Roberts. I am a girl, like anybody else.
I was the lead in 'Interview With The Vampire', until Tom Cruise decided he was interested. I was in 'The Wings Of The Dove' with Uma Thurman, until that got cancelled. I was in 'Shakespeare In Love' with Julia Roberts, until that fell apart.
Years ago I read an interview with Paula Fox in which she said that in writing, truth is just as important as story. Reading that interview was the first time I really understood that there's no point in trying to impress people with my cleverness when I can just try to write honestly about what matters most to me.
I think the word is counter-productive. Capitalism is counter-productive to art, just as the Catholic Church was counter-productive to art four hundred years ago.
If the interview was done in the studio, Frank McGee would automatically do it. But if I went out and got it, then the interview was mine. So I was considered a pushy cookie, because I would get the interview.
Maybe the real subject of every interview is how you really can't learn much of anything about anyone from an interview.
I was pretty good at studies and when I had come to NSD for my interview, I'd lied that I have got a scholarship to study abroad. I told my family that I had a visa interview, but I was actually here for the interview at NSD.
Recently I made the mistake of opening a bundle of reviews that someone had sent me of a production from years and years ago, and someone had written a really lovely review except that it made a remark about the way I spoke: 'A lot of people find her voice terribly irritating.' Do they? I had no idea.
I've done so many interviews that I've gotten past the ego and the personality. I used to feel that there might be something missing, but a few years ago I realized that I was so causative over how the interview went that I was no longer concerned over the effects of the interview.
If someone is brought in for an interview, for example, and is asked about their views on things, but has posted things that are completely contrary to the interview, frankly I have much more faith in what they posted than what they say during the course of an interview.
I do not believe that I have had an interview with anybody in twenty-five years in which the person to whom I was talking was not annoyed during the early part of the interview by my asking stupid questions.
It's what Kitty Carlisle said in her book: Don't interview people about what they do, interview them about what they love. I want my interviews to come out of the side pockets.
Hillary Clinton had scheduled an interview while I was at the height of the Weinstein reporting, and her folks got in touch and said, 'We hear you're working on a big story,' sounded very concerned, and tried to cancel the interview.
It's probably odd for someone to read an interview where the interviewee is worried about exposure while they're talking in an interview.
Here we have a situation where a defendant in a case agrees to an interview with Dan Rather. It happened to be not confidential. But it was an interview with Dan Rather.
The most starstruck I've been is when I met Sol Campbell when he was a Tottenham Hotspur player. I don't get starstruck by actors I work with, because you have some sort of relationship with them. Like, I worked with Tom Cruise [on Interview With The Vampire], so if I saw him again I'd speak to him as an actor. Although he might not be interested in talking to me.
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