A Quote by Alan Tudyk

I did a stint on 'Dollhouse,' and prior to my stint on 'Dollhouse,' I had no plans to be working with Joss Whedon until he said, 'Hey, do you want to do this?' When he calls, I'll pick up the phone, and that's how that works.
"Dollhouse" was really insane. We shot it at this top house studio in Brookyln. It was really cool. I designed a mini dollhouse that we used. I made it all by hand and decorated each room, and we based the actual set off of that. The Dollhouse was just plain wood and I put roofing on it and everything. I got real carpet for it. It was crazy. It was definitely an interesting experience. It was the first music video I've ever made. It was definitely stressful but awesome. Everybody was really amazing on set; we just had a blast doing it.
I always said that, when I grow up, I want to be like Joss Whedon: I want to have my own world.
I loved 'Welcome to the Dollhouse.' That was one of the most influential movies ever. You know that genre with the nerdy girl, and she redeems herself in the end. Like 'Napoleon Dynamite.' And in 'Welcome to the Dollhouse,' she doesn't. She sucks. It's like, that's what's real. That's what's heartbreaking.
I've kind of learned this about Joss Whedon. Never say never. I've learned that. I also have another rule about Joss Whedon. Never say no. Just... whatever Joss Whedon wants to do, just do it.
My prior stint at 'Newsweek' was a very different world. So it's what it's like to be in one of these kooky software startups as a grown up. It's not entirely pleasant! It's like, 'Oh, I don't fit.'
Joss Whedon said to me, 'If you think you are taking over the show, you have got another think coming.' He said, 'You are here only because I don't want to kill a villain off every week. I want my villains to be more interesting and multifaceted and then die.'
Joss [Whedon] is an excellent storyteller. It really doesn't matter what medium he's working in.
During my stint in IT, I worked and used the free time to browse the net for research on cinema. In the evenings, I did theatre. Had I not been successful, I would have gone back to my IT job. It was my back up plan.
I tried to listen to way too many voices in my first stint as a head coach. The second time around, I know what I want and how I want to do it.
I can at least hearken to a time when I didn't have a cell phone, where I had to call my mom after movies collect from a pay phone, and when they said, 'State your name,' I'd say, 'Mom, pick me up,' and hang up the phone.
We want to see a Joss Whedon 'Batgirl' film be awesome.
When I was a kid, phone calls were a premium commodity; only the very coolest kids had a phone line of their own, and long-distance phone calls were made after eleven, when the rates went down, unless you were flamboyant with your spending. Then phone calls became as cheap as dirt and as constant as rain, and I was on the phone all the time.
I remember the first job I ever had was working on 'Firefly,' and I was talking to Joss Whedon, and he was asking if I was going to Comic-Con. He called me a loser for not going that first year.
As a little girl, my dollhouse allowed me to imagine a big, perfect, grown-up life in which I'd be effortlessly domestic.
Everybody knows I return all of my phone calls. I pick up my cell phone myself, much to the chagrin of my staff.
The mole can't live in your dollhouse.
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