A Quote by Alan Tudyk

[Clowns] gotten a really bad rap in the last few years. People have really given into their own fears and have celebrated their fears in that way. American Horror Story didn't help.
We shared the same fears as kids - snakes and clowns. Now we also have more adult fears, like television critics.
Mr. Murphy is really, really amazing. I have admired him from the time that I saw the first season of 'American Horror Story.' I watched 'Glee,' but once I saw 'American Horror Story,' I was like: 'I'm working for him.'
I think in the case of horror, it's a chance to confront a lot of your worse fears and those fears usually have to do, ironically, with powerlessness and isolation.
The challenge for Muslims in America is to respect the fears of ordinary people while resisting the exploitation of those fears by political parties, lobbies and sectors of the media. To meet this challenge, Muslims must reassess their own involvement, behavior and contributions in American society.
One of my biggest fears when I see really bad people on T.V. is that I don't know how they got there.
I have a couple of what I call "buttons" - fears or anxieties that when tweaked can cause me to be vulnerable. Fear of failure, not being good enough, and abandonment are my main buttons. However, they have diminished greatly over the years as I have really confronted those fears in order to work through them.
A few people have privately voiced fears that on coming back to office I shall go after them. These fears are groundless. There will be no paying off old scores. The past is prologue.
I chose the American ones, more or less the last five years of the silent era, because those are the ones that aged the best in the way they tell the story. One, it's about human beings with context. It's a very classical story with feelings, with laughter, melodrama and it really works, the good ones - Murnau's American movies, John Ford's Four Sons, King Vidor's The Crowd, or the (Josef) von Sternberg movies. You can watch it now and it still works. I mean they are really, really good pieces so this is where I tried to work.
This is something I've struggled with a lot: how to relate to the fear in a constructive way. It's not that you eliminate the fear. We have all the fears. That's natural; that's human beings. But how do you deal with the fears, how do you engage with your fears in a way that's productive?
Do the people of the South really entertain fears that a Republican administration would, directly, or indirectly, interfere with their slaves, or with them, about their slaves? If they do, I wish to assure you, as once a friend, and still, I hope, not an enemy, that there is no cause for such fears.
There are two kinds of fears: rational and irrational- or in simpler terms, fears that make sense and fears that don't.
For me, it's very easy to write a horror movie that's just a succession of scary sequences, but it's hard to find horror movies that have a genuine theme to them that are really exploring some aspect of our psychology and our fears.
A lot of my fears and anxieties are the fears and anxieties of a six-year-old boy. When I finally confront them, they're really small.
That's what we really mean by being feared on the football field. And not actually the player that fears him, it's the offensive coordinator that fears him or the running backs coach.
You learn who you really are in a fight - what you're really made of. You have to face yourself and rise above your own fears and failings.
As a mom, the minute your baby is born, you all of a sudden have these fears. People always say, 'Don't let your fears get you.' But for me, my fears educated me.
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