A Quote by Alan Yang
I'm a huge believer in story being this invisible scaffolding that no one ever recognizes or realizes is actually making the audience engaged in what's going on. There is no formula for it.
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We love Formula One and think Formula One's great. But we think Formula E is different. We would be making a big mistake if we tried to compete with Formula One and be similar to Formula One, we have to be radically different to Formula One to have a chance of survival. I don't mean survival by beating Formula One but co-existing complimentary to Formula One.
The soul hardly ever realizes it, but whether he is a believer or not, his loneliness is really a homesickness for God.
There is a cliche that probably has some anecdotal evidence on the side that comedians are very depressed people, but that's because no one is ever going to seem as funny in a normal conversation as compared to when they're up there onstage in the spotlight making a huge audience keel over with laughter.
I'm a big believer in getting money from where the money is, and the money is in Washington. I learned from running the Olympics that you can get money there to help build economic opportunities. We actually got over $410 million from the federal government; that is a huge increase over anything ever done before. We did that by going after every agency of government. That kind of creativity I want to bring to everything we do (in Massachusetts).
I like joking around and being a little mischievous. Once an audience or even a group of friends realizes that you're being benevolent about it, then they're along for the ride.
For me, when I see movies where I kind of know who the characters are and what the situation is, I get bored. To me, it's, "How do I tell a story that will keep the audience engaged?" A great story does that: it's not exactly what you expect.
I'm a very big believer that the reason you've seen this huge surge in superheroes both on television and in film is...part of it of course is zeitgeist. There's no denying that there's a huge appetite on the part of the audience in both TV and film for these kind of adventures.
I think Donald Trump realizes that if the story, in a day or two, is that the United States is in a war of words with Canada, people are going to go - well, good Lord, if he can't get along with Canada, he can't get along with anyone. And I think he realizes that that friendship has to endure and has to continue.
The story is everything, so it always begins with a story. Research is a kind of scaffolding built underneath the story as I go along. My enjoyment level varies, but in general, I'm writing about topics I find interesting, so I can't gripe too much.
The story is everything, so it always begins with a story.And research is a kind of scaffolding built underneath the story as I go along. My enjoyment level varies, but in general, I'm writing about topics I find interesting, so I can't gripe too much.
When I'm actually making a film and trying to find solutions, I like to watch making-of documentaries about huge films, like 'Gladiator.' That couldn't be more apart from what I'm doing, but you see Ridley Scott facing huge problems and fixing them.
It's easy to keep score at a football game because it's just how many times you get the ball over the goal. But, when you ask an audience to tell us how many times the invisible ball got over the invisible goal, and they go, "Well, it was 46," they're just making it up. So, if you're listening to that, as though you're actually listening to the score of a football game, you're misleading yourself.
I never look at twists as a way to trick the audience. Obviously, I think a good story has surprises and unexpected turns, and you always want to do that with an audience. But it has nothing to do with conning them or making them believe so strongly in one thing and then kind of going the other way.
Knowing that I was potentially going to be the first black Bachelorette actually held me back from wanting to do it. With the first, there's always so much pressure. And I knew I was going to be new to the audience as a lead for a number of reasons - being over 30, being a career woman, and also being black.
I'm a big believer in making sure that action is not confusing and the audience understands what the characters are up to and what they're doing.
There's no point in making something if you're not falling in love with the people you're filming and you want them to really enjoy you being around. It would be weird if, when you're making a film, you don't think it's going to be the best ever or the worst ever - I guess it goes from one feeling to another.
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