A Quote by Alanis Morissette
Do I appreciate the idea of jealousy, revenge and all these so-called dark qualities? Yes. Do I write these songs in order to engage in some public war with someone? No.
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Fear - jealousy - money - revenge - and protecting someone you love.
Some speak of the public as if it were someone with whom they have had dinner at the Leipzig Fair in the Hotel de Saxe. Who is this public? The public is not a thing, but rather an idea, a postulate, like the Church.
Me and Miz are one and the same. I share some of the qualities he has and I need to learn some things from him, but there's absolutely no jealousy here between the two of us.
I find that I end up liking songs if I really have an idea of something I wat to write about-some problem in my life or something I want to work through; if I don't have something like that at the root of the song, then I think I end up not caring about it as much. I gravitate towards some kind of concept or idea or situation that I want to write about. Very often I have to write, rewrite and come at it from an opposite angle...and I end up writing the opposite song that I thought I was going to write.
With a book called 'Keeping Score,' I really did want to write a book about the Korean War, because I felt that it is the least understood war in the American cultural imagination. So I set out with the idea that Americans didn't know much about the Korean War and that I was going to try to fix a tiny bit of that.
Throughout all of the changes that have happened in my life, one of the priorities I've had is to never change the way I write songs and the reasons I write songs. I write songs to help me understand life a little more. I write songs to get past things that cause me pain. And I write songs because sometimes life makes more sense to me when it's being sung in a chorus, and when I can write it in a verse.
An idea can only be materialized with the help of a medium of expression, the inherent qualities of which must be surely sensed and understood in order to become the carrier of an idea.
An idea can only be materialized with the help of a medium of expression, the inherent qualities of which must be surely sensed and understood in order to become the carrier of an idea
Most songs I write are spur-of-the-moment-type things. I have to be spontaneous. If not, songwriting can bore me. There is no pre-design or idea of what I am going to do when I go into the studio. It's all like that for me. I could go in and write two or three songs in an eight-hour session. You can't over-think songs. You just can't.
Some Christians want enough of Christ to be identified with him but not enough to be seriously inconvenienced; they genuinely cling to basic Christian orthodoxy but do not want to engage in serious Bible study; they value moral probity, especially of the public sort, but do not engage in war against inner corruptions; they fret over the quality of the preacher's sermon but do not worry much over the quality of their own prayer life. Such Christians are content with mediocrity.
My idea of making time for myself is writing songs. I never stop beating myself up about trying to be productive, so I don't really like to do a lot of things other than write in my journal and write songs.
Women who write thrillers are called 'dark.' Male writers are called 'powerful.'
Most people think in order to validate yourself as an artist, you have to write your own songs. I commend the guys that do. I've done it. But I also think that you can pick great songs outside that you didn't write that can help your career.
If someone puts up the argument that King Louis gave the Romagna to Pope Alexander, and the kingdom of Naples to Spain, in order to avoid a war, I would answer as I did before: that you should never let things get out of hand in order to avoid war. You don't avoid such a war, you merely postpone it, to your own disadvantage.
No war can end war except a total war which leaves no human creature on earth. Each war creates the causes of war: hate, desire for revenge and have-nots, desperate with need.
Much of what's called 'public' is increasingly a private good paid for by users - ever-higher tolls on public highways and public bridges, higher tuitions at so-called public universities, higher admission fees at public parks and public museums.
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