A Quote by Alanis Morissette
And if I had a preference, it would be to be able to not be in the studio until 4 in the morning.
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I had the perfect job for a gamer. From February to October, I'd get up at 7 in the morning with nothing to do but play games until I had to be at the park around 1 or 2 o'clock. When I got back after the game, I played until 3 or 4 in the morning.
'Southern Accents,' I think that's one of my best, really. That would have been 1984, and I wrote that on the piano in the studio at home. I had a studio, and I just happened to be down there in the middle of the night. It was quite late, probably early morning, and I just started to play, and a song just started to appear.
Explain! Tell a man to explain how he dropped into hell! Explain my preference! I never had a PREFERENCE for her, any more than I have a preference for breathing. No other woman exists by the side of her. I would rather touch her hand if it were dead, than I would touch any other woman's living.
At 10 o'clock in the morning I'd go right in the studio. It feels good to be there in the morning before the day starts to mess with you - I don't mean in a negative way, but before I'd speak to a lot of people or get into anything, I'd go in there and just see what I felt. A lot happens in the morning for me in the studio.
All the years I coached, we sent a card to every professor for each kid I had, and I was able to keep track on a daily basis who cut class or who was dropping a grade average. What I did was bring that kid in at 5:00 in the morning, and he would run the stairs from the bottom to the top until I told him to quit.
I've recorded at home since I was a teenager, and I'm able to sit here in my underwear and keep trying different things until something works. I think if I did that in a studio the engineer would be like, "What the hell is wrong with you?"
I had this perfect situation where my studio was a three-minute walk away, and every day I would go to the studio. If I had an idea, I could work on it at the highest level possible.
I was in a very lucky position to be able to consider studio films and had decided to not go that route for a very long time until I read a script that I loved called 'Aeon Flux.'
So when bands work with me and it's 10 o'clock, usually you'd have to be getting out of the studio, we could go on until 2 in the morning cause it's my place!
I was 27, an unemployed actress living in a really crappy studio apartment. I had just moved to Los Angeles alone, away from my family. I had cervical and uterine cancer and I was told that I would never be able to carry a baby.
I got hooked to American news like a great TV season. It plays like fiction. I would come home from work, and I would put it on, and I would stay up until 2 in the morning watching it and get up in the morning and watch it.
Not one person would admit that they didn't want me to wear a bikini because of their aesthetic preference - a preference that is shaped by our cultural perceptions of what is and isn't beautiful.
I would never go to a studio. I need my space, you know what I mean? I need to be able to chain smoke and pace about, cry and like... spit. Just make noise, make a huge mess. I also feel like if I was concerned for the cost of the studio - like, 'this is costing 40 dollars an hour' - I wouldn't be able to work.
My preference would have been to not go back on the air after 9\11, at all until the time felt right but that wasn't an option.
If you had a sign above every studio door saying ‘This Studio is a Musical Instrument’ it would make such a different approach to recording.
I write in the mornings. I get up every morning at about six in the morning and write until nine, hop in the shower and go to work. Nighttime I usually reserve for re-reading what I've done that morning. I would be lying if I said I stuck to that schedule every single day.
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