A Quote by Alanis Morissette

I think fame became exciting for me in the late '90s because I could actually use it as a means to an end. I could actually have it help me serve my vocationfulness. — © Alanis Morissette
I think fame became exciting for me in the late '90s because I could actually use it as a means to an end. I could actually have it help me serve my vocationfulness.
I could actually be somebody that, if you showed me new gun-control legislation could help solve this problem, I might actually be able to support something like that.
I don't want fame as far as the tweeting or the image of it. But, the idea of being famous is actually exciting to me, just because then you can have a choice in what you do. I would like to be at a point where I'm not asking for parts anymore, and I'm actually just choosing between a part that I want to do.
I'm a first-time father, and it was amazing to me to learn that my son could actually use sign language before the spoken word. I could see this intelligence in his eyes before he could speak: how he could understand what was going on around him and was frustrated by that.
I came to running late. It was something I had always wanted to do, but I always end up getting hurt. It didn't occur to me that I could actually slow down and walk a little bit!
The name Bei Dao was actually given to me with the help of friends. When we were publishing our unofficial magazine, Today, we wanted to avoid being harassed by the police so we were trying to think of names that we could use. It was done very casually.
You know, it actually can happen. I mean, the chances of it happening are very rare, but it can happen actually. Which is crazy. Not that it—the chances of it are, like, you know, it's like probably ‘pigs could fly.' Like, I don't think pigs could fly, but actually sharks could be stuck in tornados. There could be a sharknado.
Art wasn't for selling. Actually, we once did have an offer on Double Negative. Things could be sold actually - everything could be for sale. But we had very few buyers. I think it was Michael Heizer who said that the point was to have a bigger canvas, and I've used that expression quite a bit. But I was thinking today that a canvas has boundaries; it has limit to it. And for earthwork, it was the very openness and feeling that there were no boundaries that made it so exciting.
In 2003, being Virginia Player of the Year was an amazing feeling because I think that was the moment I realized I could actually, really go far in my sport, and I was actually, really good at something. At that moment, I knew that I could play at a high level.
I was writing my Ph.D. in the late 1980s and was keeping an eye on what was happening in the world. It became obvious to me that Russia couldn't live without computers. I think I worked this out a year before anyone else. I started looking for people who could help import them.
I became a high school teacher for many years because it was a very tangible, concrete way where I could make a difference, and quite frankly, the kids didn't care who my father had been, because it was late '90s; none of them were around or remembered my father.
So actually what that was able to do was twofold. For me, it helps illustrate what DTS is capable of doing right from the beginning. And secondly, technically, it actually gave us a little bit more time so we could just finesse some effects and things like that, because when you release theatrical, you actually get a bigger window than if you're DVD when you have to have it done sooner so they can press the DVDs and all that kind of stuff.
The question for me was, could TV actually teach? I knew it could, because I knew 3-year-olds who sang beer commercials!
I never could read science fiction. I was just uninterested in it. And you know, I don't like to read novels where the hero just goes beyond what I think could exist. And it doesn't interest me because I'm not learning anything about something I'll actually have to deal with.
Bond is actually my dream role. Only because it was the film I watched with my grandfathers and father from a very young age, and it would be the only way that I could actually repay them with my art form for what they've done for me.
It now lately sometimes seemed a black miracle to me that people could actually care deeply about a subject or pursuit, and could go on caring this way for years on end. Could dedicate their entire lives to it. It seemed admirable and at the same time pathetic. We are all dying to give our lives away to something, maybe.
I think online, like on YouTube and stuff, people could pretty much say whatever they want. They have no filter in their brain, because no one knows who they are. They're totally anonymous, so they could say whatever they want. But when they're in person with me, they wouldn't say those things, because I can actually see who they are.
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