A Quote by Alanis Morissette

I've been surrounded by a lot of people who felt that external success would result in them feeling good about themselves. But it just seems extremely unfulfilling to me.
We had spent a lot of time in London [with Lucas Goodman], which has been amazing, but also it was kind of a homecoming and we felt so surrounded by a specific community of people who are just so New York, so unapologetically themselves and so creative.
After 'Born to Run,' I had a reaction to my good fortune. With success, it felt like a lot of people who'd come before me lost some essential part of themselves. My greatest fear was that success was going to change or diminish that part of myself.
Pearl Jam is a band I have a lot of respect for. Nirvana and Sonic Youth I feel the same way about. Mumford & Sons, My Morning Jacket, Wilco, Givers, and Foo Fighters are just some of my favorites. I respect bands that give me something of themselves that I can feel. ("Posing" bands turn me off generally speaking.) It all has to do with a feeling I have about them. That is what music is to me, a feeling. It's similar with people too.
I've had the chance to work with some really good filmmakers. It's put me in a situation where I've been surrounded by great actors, and for me it's been a lot about standing in the background and watching people work.
Somebody said, well, it wouldn't have been any different. Well, it would have been. I am extremely, extremely tough on illegal immigration. I'm extremely tough on people coming into this country. I believe that if I were running things, I doubt those families would have - I doubt that those people would have been in the country. So there's a good chance that those people would not have been in our country.
The best songs come unasked for. You don't have to think about them . . . Summer is good for songs. When it's real warm, if you have a sense of freedom, not a lot on your mind, and a feeling there's plenty of time, it just seems to be a good climate for music.
What seems beautiful to me, what I should like to write, is a book about nothing, a book dependent on nothing external, which would be held together by the strength of its style, just as the earth, suspended in the void, depends on nothing external for its support.
It's been my experience that people who make proclamations about themselves are usually the opposite of what they claim to be. If someone is truly a loyal friend, then they wouldn't need to broadcast it; eventually, people will figure it out. I have a lot of good friends and not one of them has ever introduced themselves by saying, 'I'm a very good friend.'
For a moment he felt good about this. A moment or two later he felt bad about feeling good about it. Then he felt good about feeling bad about feeling good about it and satisfied, drove on into the night.
I probably would have no capability of absorbing a 60-defeat season as a coach. It would be a foreign experience. My whole career, even as a player, has been on winning basketball clubs and it just seems to have been a part of the make-up of what’s been given me. That’s what I’ve been given and that’s what I’ve had to deal with. Some people can make fun of it or some people can have a good time with it, or some people can resent it. It’s just what it is.
I worry an awful lot about people and how they're faring. When I worry about people, whether their job is squashing their spirit, pushing them into a darker pathway of not feeling good about their life, that forces me to look for what's good. What's going well. That stokes a lot of positive feelings. Although I do worry, I look for the hope.
I've been surrounded by good people at West Virginia. That helped me a lot.
My deepest challenge has been an internal one. It's allowing success to take over by focusing on how many Twitter followers I have or what people are saying about me online, or just feeling like no matter how much success I get, it's not enough.
Most people, if they have an opportunity to do little, will do just that, particularly if you're born into money. I could have easily done nothing, but it would have been boring and unfulfilling.
If it was all about me, I'd do a whole lot of pop records, make a whole lot of money, just rake in the dough. But it's never been all about me. It's all about being a voice for the voiceless. People who can't speak for themselves, who don't have a mic, don't have a say.
People would stop me in the street - my demographic tends to be the elderly Jewish women from Miami; I think they tend to fancy me as someone that would've been good with their daughter or something - and a lot of them will do the wrist-slapping thing. "Oh, you're a terrible man! Just terrible!" And I'm, like, "Well, it's just a show. I'm just playing a character."
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