A Quote by Alaska

The House of Andrews really invented what we know as polished, glamour drag. — © Alaska
The House of Andrews really invented what we know as polished, glamour drag.
For me, drag is about two things - confidence and glamour. Drag is about using artiface and illusion to tap into the self-confidence we all have. And glamour is about taking what you have naturally and showcasing in a way that makes you feel good. It's truly a practice in faking it until you make it.
That's what I really love about glamour and drag; it's about celebrating femininity and fun, while being really provocative.
I think that fashion, in general, is a world of super-heightened glamour, and when you talk about super-heightened glamour, the first thing that comes to mind is a drag queen.
I couldn't have invented crisps. ... I don't really want to be known as the man who invented crisps. ... I invented apples. ... I invented pandas, and caps. I invented soil.
I want to do something that is not just a pastiche of drag that's come before but is really authentically me. I try to tune out all the drag that's out there and tap into the drag that I was doing when I was a little kid - when I didn't even know the word 'queer' or that gay people were out there.
People pull from drag culture because drag artists are - it's the ultimate art form and it's the last underdog art form. I mean, even clowns have college, you know what I mean? Drag queens, you have to learn drag from another drag queen.
I very much treat my stage persona of Jinkx as a character I've created. Some drag artists do a look-based glamour act, and when they talk they're mostly just being themselves. In my case it's not Jinkx the drag queen, it's Jerrick Hoffer as Jinkx Monsoon.
Five hundred words a day is what I aim for. And I don't go on to the next chapter until I've polished and polished and polished the one I'm working on.
I don't think I'm the one that invented glamour at all.
I don't know why people think I'm polished - I often leave the house with buttons missing and ladders in my tights.
In 'House of Boys,' I wanted to be in drag. It was amazing to be in the middle of all these drag queens. They did my makeup. I hardly recognized myself! That was very funny.
I do drag. Just because my drag is not the drag of Creme Fatale or Holy McGrail doesn't mean it's less drag. I perform live; I just sing with dancers. It's drag on a different level.
Here's Iraq, where irrigation was invented, where law was invented, where writing was invented. All these things that we consider necessities of civilization started there. And the people who live there damn well know that.
Really, this horrid House of Commons quite ruins our husbands for us. I think the Lower House by far the greatest blow to a happy married life that there has been since that terrible thing called the Higher Education of Women was invented.
I was so mad at my agent. I had polished and polished and polished [the play], and he referred to it as a draft. I wrote him a bitter letter: How can you call this a draft? I don't do drafts! By now I've done 18, and its turning, in the rehearsal room, into a 19th.
The inspiration of my drag is the history of drag, the long tradition of drag queens being at the forefront of queer activism. That informs my drag style, and in a sense, that is the direction we need to go in the future.
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