A Quote by Alaska

I think I first learned about Stonewall in Queer Theatre class at the University of Pittsburgh. It made me mad that queer people out at bars could be raided and arrested and harassed by the police just for being who they were.
For me, I think it's important to spread Black queer joy and acknowledge Black queer excellence and the achievements that have been made by my people, specifically meaning Black queer people.
In order to make a change, I have to exist in a traditionally homophobic space such as hip-hop. If I were to just be this queer rapper who only spoke to queer kids... I don't think I could as effectively make a change for another young, black, queer kid growing up in Texas.
I am pansexual as I actually remember also being attracted to women as well and thinking that maybe this like, thing where I was attracted to men was just like some weird phase or if it was something I could just ignore. My mom is queer and I have a queer uncle. So, I wasn't completely, you know, shielded from queer representation.
We need to talk about representation for queer people in the media and also in law. And there's a long history of drag queens leading those discussions in marches on the street and even in bars going back to the time of Stonewall and before.
A lot of different people under the queer umbrella come together but Like there's something inherently queer about the heist genre, in some way. It's about just flying under the radar and procuring something furtively or, you know, that thing that is just so fun and high-stakes in the way that a lot of queer experiences are.
When I first started to write, I was aware of being queer, but I didn't write about it. Queer poems would probably not have been accepted by the editors I sent them to.
A lot of artists I like end up being queer. Or maybe it's a subconscious thing that you can identify of, like, 'Oh this person understands the nuances of the romantic narrative of a queer person, or the social narrative of a queer person.' And then you discover, lo and behold that they are a queer person.
I think, in general, straight actors should be able to play queer roles just as much as queer actors should be able to play straight roles. I think the reason why the debate is there is because we haven't had enough queer actors being cast in anything. People are in need of that representation in general.
After the 'Fallon' set, I had a lot of queer people message me about how much it meant to see a queer perspective on late night TV.
I'm queer - and queer, to me, is not being stuck in a binary and being kind of fluid.
People often ask me why I choose to primarily play queer characters, and my answer is that as a queer man, I choose to align myself with projects in which I can be of service for a purpose greater than myself: to be for an audience of queer people of color, something I didn't have the privilege of seeing as a young man.
I was on MTV's 'Real World' at the time when 'Queer Eye' came out. I remember, the first time I won an award, I got the award, and they were like, 'It's a tie! With 'Queer Eye!'' I never thought that I would one day follow in their footsteps.
I care more about a 15-year-old queer kid in Iowa who wants to know that there's anything out there that resembles their experience and life than the hip queer person in Brooklyn.
Is the mainstream becoming more queer? Or is it the opposite? That artists like me are mainstreaming queer music?
All the world old is queer save thee and me, and even thou art a little queer.
Pittsburgh's definitely the city where I learned how to be on a stage, hold a microphone, and interact with an audience. It's where I got my chops as an entertainer and as a performer, so I'm grateful to the queer community there because they are active and vocal and they care about each other.
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