I want to write more books, see my first novel made into a film, fight more campaigns, work in more countries. I want to be able to recall experiences that have endured for their pleasure and range and intensity.
I want to be able to write, that's my first love and I don't want to deviate from it even though I probably could have made a lot more money.
I want to do a stripped-down album. That style is actually where my heart is - storytelling and just letting the voice and the lyrics talk for themselves. I still want to write the perfect song and sing it in the most honest, undressed way. But I feel like I have to gather more experiences and more layers in my voice. I have to live more to be able to tell this tale. So I'm saving my folk record. I have a feeling nobody will understand it.
I like to be aware of a book as a piece of writing, and aware of its structure as a product of mind, and yet I want to be able to see the represented world through it. I admire artists who succeed in dividing my attention more or less evenly between the world of their books and the art of their books . . . so that a reader may study the work with pleasure as well as the world that it describes.
What does labor want? We want more schoolhouses and less jails; more books and less arsenals; more learning and less vice; more leisure and less greed; more justice and less revenge; in fact, more of the opportunities to cultivate our better natures, to make manhood more noble, womanhood more beautiful, and childhood more happy and bright.
I want to see more Asian. I want to see more Latin. I want more Indian. There's more than Mindy Kaling out there, guys! There's more than Bai Ling.
I've always been a little bit more of a novel reader than a short story reader. I think the first books that made me want to be a writer were novels.
I don't believe that the American people want us to focus on our job security. They want us to focus on their job security. I don't think they want more gridlock. I don't think they want more partisanship. I don't think they want more obstruction. They didn't send us to Washington to fight each other in some sort of political steel-cage match to see who comes out alive. That's not what they want. They sent us to Washington to work together, to get things done, and to solve the problems that they're grappling with every single day.
Draw the art you want to see, start the business you want to run, play the music you want to hear, write the books you want to read, build the products you want to use – do the work you want to see done.
Countries with deficit don't want to pay the bill, and they want to get more loans, and countries with superiority, they don't want to help the countries with problems, and they just want them to tighten their belts.
Some things definitely work better on film than in books. Introspection is great in books but it doesn't work on film. Anything with high intensity, whether it's a love scene, a car chase, a fight scene - those things work so well on film and oftentimes they can tell a much broader part of the story.
A fantastic, gleeful, chrome-plated-slick debut of a novel. In Jonathan Chase, Markham has created the perfect cliche-shattering super spy while honoring the progenitors. Dangerously sharp, and genuinely fun-and very, very, very smart. I want more books like this. I want more books from the mind of Mr. Markham!
Ideas come from all over, but as I write more and more, I find I'm always hunting for mood: I want to write a novel with a pervasive mood that sticks with you after you close the cover.
The model of the educational Kalila Wa-Dimna. These are books of instruction to rulers and humans. The stories unfold a range of human psychology, a vast range of human psychology. The Sultan is being moved from his narrow and bigoted position into a wider, more subtle, more nuanced understanding of human experiences.
Finding people who get enormous pleasure from reading books is a more and more unusual experience, and so writers just so much want to be heard.
I am not interested in things getting better; what I want is more: more human beings, more dreams, more history, more consciousness, more suffering, more joy, more disease, more agony, more rapture, more evolution, more life.
I want to do film and TV. I want to make good stories. I want to write; I want to be more involved.