A Quote by Alastair Cook

Jonathan Agnew is a good person to learn off because he's a brilliant broadcaster and the calmness and clarity with which he does things is a real skill. — © Alastair Cook
Jonathan Agnew is a good person to learn off because he's a brilliant broadcaster and the calmness and clarity with which he does things is a real skill.
Real life does not come naturally. It is counterintuitive. It is a skill we have to learn. That's because the way to real life is not something we get, but something we give.
Learn to be good readers, which is perhaps a more difficult thing than you imagine. Learn to be discriminative in your reading; to read faithfully, and with your best attention, all kinds of things which you have a real interest in,--a real, not an imaginary,--and which you find to be really fit for what you are engaged in.
I think Dirk [Gently] thinks that he's a brilliant detective, but he's the worst detective, ever. He does have this particular skill, which I suppose you might call a really bad superpower because it's just not very helpful. He is able to sense the connections between things and he's nearly always right, but the problem is that he never knows what to do with any of those messages that he receives from the universe, so he just acts on things and gets himself into terrible trouble, all the time.
When Ron Howard does 'Rush,' he has to learn and steep himself in F1 culture and European racing culture, and that's part of the fun of the gig. You learn to learn. Your real skill as a director is being a learner and an observer. You're constantly learning another thing in context.
We have more brilliant fantasy novels than brilliant fantasy movies. Movies and TV are done by committee. But with a novel, it's really just one person running the show. That allows for a clarity and unity of vision that's pretty unique, artistically.
Even when you think you can detach yourself from the characters, you don't. Because you're spending so much time trying to realize this person and make them real that they do infect you, in a way. And you do take them home and live with them, even if you think you're turning the character off. But in order to pull off a role convincingly, you wind up thinking about that person all the time, and it does sort of creep into you. And then there are things that you'll respond to, or react to in a very different way than you would normally.
I think it's really important for every young person to work in a kitchen because you learn a life skill.
None of us knows what a good or bad person is. In real life we're all brilliant and a bit rubbish.
You cannot define a person on just one thing. You can't just forget all these wonderful and good things that a person has done because one thing didn't come off the way you thought it should come off.
It is easy to have calmness in inactivity, it is hard to have calmness in activity, but calmness in activity is true calmness.
The difference between a broadcaster and a host is that a host tells stories and dumb jokes, but a broadcaster can articulate deeper like, you know - things and stuff.
If you charge off with some political agenda that is not informed by clarity, you are going to end up with business as usual. The road to hell is paved with good intentions but it is not paved with clarity.
Teenagers learn best by doing things, they learn best in teams and they learn best by doing things for real - all the opposite of what mainstream schooling actually does.
I think reading an audiobook is a real skill - for one thing, you have to be able to do impressions and voices, which I cannot do - and it's just not a skill I have.
I try to watch only real things, which basically amounts to C-Span for me. I like real people in real situations. I learn from that.
The youth say stupid things and they say good things, as we do, as everyone does. But hear them, speak with them, because we must learn from them and they must learn from me, from us.
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