A Quote by Alastair Cook

The delight you feel in that split second you score your first hundred is so intense it can't be repeated. — © Alastair Cook
The delight you feel in that split second you score your first hundred is so intense it can't be repeated.
As cricketers we fail all the time. You score a hundred every now and again but you get out between nought and 20 far more often. If you get 50, you feel bad because you should have got a hundred. Even if you get a hundred, you feel you should have got 150. So you're always failing.
I'd look at one of my stonecutters hammering away at the rock, perhaps a hundred times without as much as a crack showing in it. Yet, at the hundred and first blow it would split in two, and I knew it was not that blow that did it, but all that had gone before.
Thinking about the things that happened, I don't know any other ball player would could have done what he (Jackie Robinson) did. To be able to hit with everybody yelling at him. He had to block all that out, block out everything but this ball that is coming in at a hundred miles an hour and he's got a split second to make up his mind if it's in or out or down or coming at his head, a split second to swing. To do what he did has got to be the most tremendous thing I've ever seen in sports.
It shall be my pleasure to remedy it. First, it is not your strength or your speed that draws me. It's your...everything. Your laugh, your wit, your emotions and the way they change. Your courage, your sweetness, your near obsessive delight in cookies. Second, you are indeed a prize. You've made me want what no one else ever had. A communion of bodies." -Zacharel to Annabelle
Look at a stone cutter hammering away at his rock, perhaps a hundred times without as much as a crack showing in it. Yet at the hundred-and-first blow it will split in two, and I know it was not the last blow that did it, but all that had gone before.
Obviously it happens very fast on the field during the game; if anything, it's more of a feel. You feel when the pocket is collapsing around you. You feel when someone is close to you. It is a split-second decision.
I taught everyone a very bad lesson at my publisher because they actually gave me deadlines this time and I'm now meeting them. I used to say, "Here's my book; it's six years late." I'm so much faster now, and work differently. With all the years of writing, I think I still draft as obsessively, but I think back to writing. On your first story, you start at draft one. On your second story, you start at draft ten. On your third story, you start at draft one hundred. If you need a hundred and eight drafts, you may write eight instead of a hundred and eight.
When I'm in the pick-and-roll, I'm looking to be a playmaker first and to score second. When I'm playing off the ball and I catch the ball, I'm looking to be a scorer first and a playmaker second.
How intense could you be? Can you be intense enough to pick this 500Lbs off the floor? Are you intense enough to pick this 700Lbs up? Squat down to the floor and stand back up? So what if your eyes are bloodshot! So what if your bones feel like snapping! WHAT ARE YOU GONNA DO!
Give me a kiss, and to that kiss a score; Then to that twenty, add a hundred more: A thousand to that hundred: so kiss on, To make that thousand up a million. Treble that million, and when that is done, Let's kiss afresh, as when we first begun.
We can inform decisions when we look at data points on retention rates with your first hundred users, when we look at things like survey responses from your first hundred users.
I can't play any more. I can't hit the ball when I need to. I can't steal second when I need to. I can't go from first to third when I need to. I can't score from second when I need to. I have to quit.
A couple can be quite intimate without sharing bodies - though you will likely not believe that, my Cam. But it can be true. What I feel for you is highly intense, whether you are standing next to me or living a hundred miles away. I do not have to be touching you at all to experience what I feel.
The eye is the first circle; the horizon which it forms is the second; and throughout nature this primary figure is repeated without end.
The strange thing about seeing someone for first time in nine years is the way they look totally different, just for a second, a split second, and then they look at you the way they always have, as if no time has passed between you.
I can actually feel the interior body of a dancer. I have the ability to capture a split second... I want you to be hit with whatever the essence is of this sculpture.
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