A Quote by Alastair Reynolds

One of the big breakthroughs I had as a writer was when I stopped agonising over every word. — © Alastair Reynolds
One of the big breakthroughs I had as a writer was when I stopped agonising over every word.
I am a writer, I deal in words. There is no word that should stay in word jail, every word is completely free. There is no word that is worse than another word. It's all language, it's all communication.
I used to really love Fiend, but he stopped. He just stopped. Every time he had a project, every project - 'There's One In Every Family,' 'Street Life' - I had to have them. And he just stopped. And that was disappointing, 'cause that was my favorite rapper at one time.
By the time I get through writing a score, I know the book better than the book writer does, because I've examined every word, and questioned the book writer on every word.
Well, to the people who pray for me to not only have an agonising death, but then be reborn to have an agonising and horrible eternal life of torture, I say, 'Well, good on you. See you there.'
Whenever you talk about writing I think you have to remember that it all has a big question mark over it - every word has a big question mark over it.
One of the most useful parts of my education as a writer was the practice of reading a writer straight through - every book the writer published, in chronological order, to see how the writer changed over time, and to see how the writer's idea of his or her project changed over time, and to see all the writer tried and accomplished or failed to accomplish.
I think that feels like it to me. I mean whenever you talk about writing I think you have to remember that it all has a big question mark over it - every word has a big question mark over it.
Wherever primitive man put up a word, he believed he had made a discovery. How utterly mistaken he really was! He had touched a problem, and while supposing he had solved it, he had created and obstacle to its solution. Now, with every new knowledge we stumble over flint-like and petrified words and, in so doing, break a leg sooner than a word.
The great advantage of being a writer is that you can spy on people. You're there, listening to every word, but part of you is observing. Everything is useful to a writer, you see - every scrap, even the longest and most boring of luncheon parties.
It's rather remarkable Donald Trump has had over four billion dollars of free primetime media, Hillary's [Clinton] had over two billion worth, my campaign has had essentially zip, yet we are still pushing up around five percent in the polls, which is unprecedented for a non-corporate party without the big money to get the word out.
... every writer I had ever known wrote his best work when he had his back up against the wall and thought he would never write another word.
You are the song of every bird, you are the poet's every word, every artist's picture, every writer's play.
[Richard Leakey is] a robust hero of a man, who actually lives up to the cliché, “a big man in every sense of the word.” Like other big men he is loved by many, feared by some, and not over-preoccupied with the judgments of any.
As every writer knows... there is something mysterious about the writer's ability, on any given day, to write. When the juices are flowing, or the writer is 'hot', an invisible wall seems to fall away, and the writer moves easily and surely from one kind of reality to another... Every writer has experienced at least moments of this strange, magical state. Reading student fiction one can spot at once where the power turns on and where it turns off, where the writer writes from 'inspiration' or deep, flowing vision, and where he had to struggle along on mere intellect.
Every sentence has a truth waiting at the end of it and the writer learns how to know it when he finally gets there. On one level this truth is the swing of the sentence, the beat and poise, but down deeper it's the integrity of the writer as he matches with the language. I've always seen myself in sentences. I begin to recognize myself, word by word, as I work through a sentence. The language of my books has shaped me as a man. There's a moral force in a sentence when it comes out right. It speaks the writer's will to live.
Research in any domain of science today requires specialized training to build up knowledge and clinical competence. To make major breakthroughs, we need people with expertise who are engaged in sustained research over a long period of time - in a word, scientists.
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