A Quote by Alastair Reynolds
I've been enthralled by deep vistas of space and time ever since watching George Pal's film of 'The Time Machine,' while an early encounter with Arthur C. Clarke's 'The City And The Stars' cemented my love for books with a scope spanning millions of years.
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I was only in second grade when the Russian Cosmonaut Yuri Gagarin became the first man in space. The night of his launch - April 12, 1961 - I went out onto the front porch and stared up at the stars, trying to see his capsule passing overhead. Like millions of others, I was enthralled by the idea of space exploration and have been ever since.
There is a sort of genre of optimistic science fiction that I like, and I don't think there is enough of. One of my favourites is a short story by Arthur C. Clarke, 'The City and the Stars.' It's set in this far future on Earth in this somewhat static society and trying to break out.
This is an old film from donkeys' years ago, but the first film I ever... the first time I ever cried watching a movie was when I was watching 'The Champ.'
Staring at the stars was like staring backward in time, since some stars are so far away that their light takes millions of years just to reach us. That we see stars not as they look now, but as they were when dinosaurs roamed the earth. The whole concept just struck me as…amazing somehow.
Time is the worst place, so to speak, to get lost in, as Arthur Dent could testify, having been lost in both time and space a good deal. At least being lost in space kept you busy.
In the 1970s and early '80s, Shanghai was quiet, cautious, a ghost of a once-great city - and yet physically, little was changed from its glittering heyday. When visiting, I enjoyed reading books on local history and used my time off to scope out the former haunts of gangsters and jazzmen.
It has ever been since time began, and ever will be, till time lose breath, that love is a mood - no more - to man, and love to a woman is life or death.
The first time I'd ever felt happy-and I mean ever-was when I'd been lying in my bed, staring out my window, watching the stars shine harmoniosly with one another.
A few of my books, over the years, have been optioned for film. The subject matter of my books, however, is not exactly conducive to Hollywood film treatment. If and when a 'big-budget' film is ever made based on one of my books, my fans and I will more than likely loathe it because it won't be true to its source. That's almost a given.
I used to live in New York City, then when my son was two years old we moved to Cambridge Massachusetts and we've been there ever since. My son is now twenty-nine years old, so we've been up there for a while.
I have been in the music industry ever since I was six years old. I have been inspired by so many great artists and of course trying to be original at the same time. I try not to work under boundaries while I'm making music.
Physically, man is but an atom in space, and a pulsation in time. Spiritually, the entire outward universe receives significance from him, and the scope of his existence stretches beyond the stars.
Personally, I love going to see a film when you can really watch a character. If you've just read some article about who the actor is sleeping with, that's gonna be at the back of your mind all the time while you're watching the film.
I re-mastered 'The Conversation' a few years ago for DVD. 'The Conversation' was the first film I edited on a flatbed machine - a KEM editing machine. I've been using Final Cut or the AVID for 12 years now, so I was interested in looking at this film and seeing if I could tell if it had been edited the old way. Truth be told, I couldn't.
At a club like City, there are things in the papers and talk all the time. Ever since I've been a footballer, I have coped with that.
But as Van casually directed the searchlight of backthought into that maze of the past where the mirror-lined narrow paths not only took different turns, but used different levels (as a mule-drawn cart passes under the arch of a viaduct along which a motor skims by), he found himself tackling, in still vague and idle fashion, the science that was to obsess his mature years - problems of space and time, space versus time, time-twisted space, space as time, time as space - and space breaking away from time, in the final tragic triumph of human cogitation: I am because I die.
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