The novel that an author writes is often not the novel that the reader reads, and most of the 'messages' in a novel are put there by the reader. There's nothing wrong with that, of course. That's how literature functions.
If this universe is the House of God, then I must say it is quite a dark house despite several hundred billion suns!
In space there are countless constellations, suns and planets; we see only the suns because they give light; the planets remain invisible, for they are small and dark. There are also numberless earths circling around their suns.
The first novel I wrote, 'The White House Mess,' was a comic novel. It came out in 1986. It was a parody in the form of a White House memoir.
The fate of the physiology of the brain is independent of the truth and falsity of my assertions relative to the laws of the organization of the nervous system, in general, and of the brain in particular, just as the knowledge of the functions of a sense is independent of the knowledge of the structure of its apparatus.
Some people, you can see that they're in a house just because it functions OK for them. It checks the boxes for certain things that they need, but you can tell that they're not emotionally connected to the house.
There is artistic beauty to the way biology functions, nature functions, and science functions. I am trying to bring that kind of understanding in the design space.
The DNA of the novel - which, if I begin to write nonfiction, I will write about this - is that: the title of the novel is the whole novel. The first line of the novel is the whole novel. The point of view is the whole novel. Every subplot is the whole novel. The verb tense is the whole novel.
It's disingenous for me to say that I wasn't trying to write a moral novel. By its very nature as a novel about the Iraq War, Fobbit steps into the political conversation. There's no way to avoid that. I can appreciate that readers are probably going to line up on one side of the novel or the other. I hope they go to those polar extremes, actually.
When I was writing 'House Of Suns,' there were a few writers I had in mind as role models, the main being Gene Wolfe.
To the extent that independent means you're willing to attempt to put your own ideas, personality, and commitment to the material on screen, then of course I hope I'm independent until the day I die.
I signal with an independent label, Continuum. After that I put out a totally independent record, sold fourteen thousand of them from my basement, bought a house, started raising my kid, made a decent living.
I am a very shy and closed person. I stay in my house. The only time I go out is for award functions and maybe interviews. Because, this is part of my profession and I have to do it. Otherwise, I stay in my house or attend some classes.
In 2004, I took a one year sabbatical to finish my second novel, A Thousand Splendid Suns. At the end of that year, I was not done with my book, and had to in effect resign from work. I did. I never went back.
Everyone has an interest in the economy: in how it functions, how well it functions, and in whose interests it functions.
It was an old fashioned house --the sort of house in fact, as Strange expressed it, which a lady in a novel might like to be persecuted in.