A Quote by Alastair Reynolds
How did you . . . pass the time?’ Sunday asked. ‘You couldn’t just ching out of it, could you?’ ‘We had a different form of chinging,’ Eunice said. ‘An earlier type of virtual-reality technology, much more robust and completely unaffected by time lag. You may have heard of it. We called it “reading”.
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[Formula One racing] will be very different - as the technology will be very different and that will make fans consume it in a completely different way. I said before that I believe that Virtual Reality will hit it big time.
Look at these humans! How could such glacial slowness even be called life? An age could pass, virtual empires rise and fall in the time they took to open their mouths to utter some new inanity!
The first time I ever heard professional actors delivering lines that I wrote was completely surreal and was just a gigantic moment in my life. It was just a little bit mind-blowing and completely strange to have something that had been on my computer being said out loud.
Thinking, not for the first time, that life should come with a trapdoor. Just a little exit hatch you could disappear through when you´d utterly and completely mortified yourself. Or when you had spontaneous zit eruptions. “Good book?” he asked, taking it from her and reading the subtitle, “A Guide for Good Girls Who (Sometimes) Want to Be Bad,” out loud. But life did not come with a trapdoor.
A book no more contains reality than a clock contains time. A book may measure so-called reality as a clock measures so-called time; a book may create an illusion of reality as a clock creates an illusion of time; a book may be real, just as a clock is real (both more real, perhaps, than those ideas to which they allude); but let's not kid ourselves - all a clock contains is wheels and springs and all a book contains is sentences.
Running out the tunnel and hearing my name called out for the first time, stepping out before the game. I just had a different type of feeling, it was amazing, like I actually made it to the NBA.
There are certain ways, narrative forms, that do not function as a continuation, for example, of 3D movies. You see, what is obvious to me is virtual reality or immersive 360 degrees virtual reality is not somehow a part of 3D movies, and it is not a new form of video games, it's neither, it is something completely new, something different, and nobody has come up yet with real convincing content.
Books are not about passing time. They're about other lives. Other worlds. Far from wanting time to pass, one just wishes one had more of it. If one wanted to pass the time one could go to New Zealand.
Everyone’s childhood plays itself out. No wonder no one knows the other or can completely understand. By this I don’t know if I’m just giving up with this conclusion or resigning myself — or maybe for the first time connecting with reality. How do we know the pain or another’s earlier years, let alone all that he drags with him since along the way at best a lot of leeway is needed for the other — yet how much is unhealthy for one to bear. I think to love bravely is the best and accept — as much as one can bear.
You know the only thing for me, obviously the routine was completely different, but I had plenty of time getting loose. I threw enough pitches, took my time. Tried to time it out as best I could.
I took in a breath. "What's the one thing you'd do," I asked. "if you could do anything?" Pass," he said. For a second I was sure I'd heard wrong. "What?" He cleared his throat. "I said, I pass." Why?" He turned his head and looked at me. "Because." Because why?" Because I just do.
I wish I had time to do more reading, but I just haven't had much time. But I still find time for writing. I've always preferred writing over reading, even though those things do go hand in hand. But when I do have time, even if it's not writing music, just writing in general - ideas and stories and things like that.
I was the type of person who was the question-asker. And not just genuine questions, I would ask a question so the author would know how much I knew about them. Once I went to a Tobias Wolff reading. I knew he was teaching at Syracuse at that time. And so, I remember asking him how he liked Syracuse. People do that to me now and it's okay. There is rarely a time when I just have had enough.
I was just writing songs in my spare time, and recording because it's fun to do, and Sub Pop called me and said they wanted to put some stuff out. I had to weigh whether I wanted to put the time into it because it's a commitment. But, in the end, it seemed too good to pass up.
I tried to talk my daughter out of going with a hockey player but, he's a good kid. He asked me if he could marry Carrie before he asked her. I said: You want to what? I thought he was just going to ask for more ice time.
There is a comfort with design that may be a detail, rather than a building; comfort with form that is time-released and never finished. How do you represent an instruction set that will play out in time? There may be slightly different kinds of documents for representing those forms, and different skills for advocating change outside of our fee-for-service habits.
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