A Quote by Alban Berg
I can tell you, dearest friend, that if it became known how much friendship, love and a world of human and spiritual references I have smuggled into these three movements, the adherents of programme music - should there be any left - would go mad with joy.
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Everybody understands friendship, and friendship is different than love - it's a different kind of love. Friendship has more freedom, more latitude. You don't expect your friend to be as you think your friend should be; you expect your friend just to love you as a friend.
There are, I think, three countries left in the world where I can go and I'm not as well-known as I am here. I'm a pretty big star, folks - I don't have to tell you. Superstar, I guess you could say.
Dearest darling, how I love you. Words cannot tell how much I love you. So forget it.
[The Head of Radio Three] had been ensnared by the Music Director of the college and a Professor of Philosophy. These two were busy explaining to the harassed man that the phrase "too much Mozart" was, given any reasonable definition of those three words, an inherently self-contradictory expression, and that any sentence which contained such a phrase would be thereby rendered meaningless and could not, consequently, be advanced as part of an argument in favour of any given programme-scheduling strategy.
I was addicted to 'The Monkees' TV programme - not so much because of the music but because of the commercials in between. The programme was sponsored by Yardley, and in the commercial breaks, there would be these English girls on roller skates, wearing hot pants, and I just thought, 'God! How neat!'
How much can we ever know about the love and pain in another's heart? How much can we hope to understand those who have suffered deeper anguish, greater deprivation, and more crushing disappointments than we ourselves have known? Even if the world's rich and powerful were to put themselves in the shoes of the rest, how much would they really understand the wretched millions suffering around them? So it is when Orhan the novelist peers into the dark corners of his poet friend's difficult and painful life: How much can he really see?
This is how it works. I love the people in my life, and I do for my friends whatever they need me to do for them, again and again, as many times as is necessary. For example, in your case you always forgot who you are and how much you're loved. So what I do for you as your friend is remind you who you are and tell you how much I love you. And this isn't any kind of burden for me, because I love who you are very much. Every time I remind you, I get to remember with you, which is my pleasure.
A friend is a beloved mystery; dearest always because he is not ourself, and has something in him which it is impossible for us to fathom. If it were not so, friendship would lose its chief zest.
I have come to believe that the whole world is an enigma, a harmless enigma that is made terrible by our own mad attempt to interpret it as though it had an underlying truth. If two or three persons should come with a high spiritual aim and with great powers, the world would fall into their hands like a ripe peach.
You do not know how much they mean to me, my friends, And how, how rare and strange it is, to find In a life composed so much, so much of odds and ends, (For indeed I do not love it ... you knew? you are not blind! How keen you are!) To find a friend who has these qualities, Who has, and gives Those qualities upon which friendship lives. How much it means that I say this to you- Without these friendships-life, what cauchemar!
If you're going through friendship issues, I would say, first of all take a step back. How important is the friendship to you? Sometimes, if someone's not being a good friend to you and isn't treating you the way you should be treated, then you kind of have to move on sometimes.
How many slams in an old screen door?
Depends how loud you shut it.
How many slices in a bread?
Depends how thin you cut it.
How much good inside a day?
Depends how good you live 'em.
How much love inside a friend?
Depends how much you give 'em.”
? How Many, How Much by Shel Silverstein
“Tell the truth, or someone will tell it for you.
That's how I became the damaged party boy who wandered through the wreckage, blood streaming from his nose, asking questions that never required answers. That's how I became the boy who never understood how anything worked. That's how I became the boy who wouldn't save a friend. That's how I became the boy who couldn't love the girl.
There are three friendships which are advantageous, and three which are injurious. Friendship with the upright; friendship with the sincere; and friendship with the man of much observation: these are advantageous. Friendship with the man of specious airs; friendship with the insinuatingly soft; and friendship with the glib-tongued: these are injurious.
I prefer to learn everything through music. If you want divinity, the music in every human being and their love for music is pretty much it. It's the big indication of their spirituality and their ability to love and make love, or feel pain or joy, and really manifest it, really be real.
If we reject the word, or any word that labels music, what's left? That's the question we should all ask ourselves. Ben Ratliff asked it, and he came up with aesthetic categories. That's not what I would say. What's left are communities who make music together, or among whom music circulates. That's it.
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