A Quote by Alban Berg
I think the origin of all this clamour for tonality is not so much the need to sense a relationship to the tonic, as a need for familiar chords: let us be frank and say "for the triad"; and I believe I have good reason to say that just so long as a certain kind of music contains enough such triads, it causes no offence, even if in other ways it most violently clashes with the sacred laws of tonality.
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In all the music I've done, what I'm really interested in above all else, and I'm not sure it's what one should be interested in, is the kind of - you know, people talk about work progressions, which doesn't really make sense with pop music because there is no progression, because there is no tonic, because there is no more tonality.
Taxi drivers used to ask me what kind of music I did and I'd say, well, it's kind of jazz, soul, classical - but that makes no sense to anyone. Now I say I just write my own songs. I thought I had to help people get me, but I don't think they need to be spoon-fed. If you connect with me that is cool. I don't need the whole world to feel like I am a soul angel.
It's not enough to say we need to love each other, you have to go behind that and say we need to change these policies, we need to fight, we need to protest, we need to agitate for change.
I think that it's not enough to do the little Band-Aid things of having celebrities come and read to children. Not that we don't need to read to children, but we don't need to just do it one time and feel good about it. I think we need to think long range about poor people and their relationship to libraries.
The only thing I heard Speaker [Paul] Ryan say that made sense was, we actually really need to look at this and see what makes sense and what doesn`t, because electronic detection in those kind of - and drones and other types of border protecting devices seem to be much more effective in certain places.
Even under the British there were hostile groups. There were clashes. But, as we found out later, these were clashes provoked by those who had no wish to let us live together - on the eve of the Partition. The policy of keeping us divided was always followed by foreigners, even after the Partition. If Indians and Pakistanis had been together...I don't say as confederated countries but as neighboring and friendly countries...like Italy and France, for example ...believe me, both of us would have progressed much further.
I want music to move me, and I don't think it can do that without at least a link to tonality. It's the tug between atonal and tonal which makes music poignant.
'Penny Dreadful' is so realistic. The tonality is so earthy and so real that I actually believe it is in the realm of possibility for all these extra species to exist among us.
I believe that the most urgent need of parents today is to instill in our children a moral vision: what does it mean to be a good person, an excellent neighbor, a compassionate heart? What does it mean to say that God exits, that He loves us and He cares for us? What does it mean to love and forgive each other? Parents and caregivers of children must play a primary role in returning our society to a healthy sense of the sacred. We must commit to feeding our children’s souls in the same way we commit to feeding their bodies.
Start with the least amount of money possible. Some people say they need a certain amount to start, and I say you need a half of that or a third of that. That gives you the biggest return. If you put all your eggs in one basket, it's harder to adapt when you need to. Unless it's very capital-intensive, you don't need much money.
I like a lot of hardcore, but it's just a genre about which I don't have much to say. It's kind of a thing where, unless you're active in the hardcore community, what could you have to say of value about it? It resists criticism because it's not just a style but an entrance into several different worlds of ideas- political, philosophical, societal. The music is really only part of the whole scene. In that sense, the music doesn't change much because it shouldn't: It needs to be there as a signal that you're entering into a certain discursive mode, maybe.
They say I need to be seasoned; they say I need to be stewed. They say, 'We need to boil all the hope out of him -- like us -- and then he'll be ready.'
If we want to know what's most sacred in this world, all we need to do is look for what is most violently profaned.
As an actor, I don't have any politics. As an actor, I'm driven more by an authentic - I would say an obsessive-compulsive-disorder level-fixation on mimicry, tonality of voice, to literally imitate something until I can just disappear into it.
Manipulating shadows and tonality is like writing music or a poem.
What we need to do is we need to create new international standards of behavior - not just national laws, because this is a global problem. We can't just fix it in the United States, because there are other countries that don't follow U.S. laws. We have to create international standards that say that cyber attacks should only ever occur when it is absolutely necessary.
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