A Quote by Alber Elbaz
The designers, photographers and models I work with, they are really hard-working people who are devoting their lives to fashion. They're kind of like nuns of fashion.
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For my film 'Fashion,' like an investigative journalist, I went about knowing the people, the models, the fashion designers. Similarly with the corporate world.
When you get into fashion, when you're not yet working in fashion, you have this idea about what the fashion world is: that it's very glamorous, it's the red carpet, it's very editorial. But really, what you don't understand until you get into it, is what goes on the rest of the time, which is just hard work. Besides passion and dedication, it's the grit. How long are you willing to be in it to become successful?
It was only when I began modeling at 18 that I really began enjoying fashion and reading any fashion magazine I could get my hands on, and developing a profound respect for designers, fashion and how to wear it.
My plan was to model and pay the rent and then intern with designers and work on the other side of the industry however I could, but then it just got to be too much, especially with casting, fashion week, and also working for a fashion designer.
Sometimes I feel like what's hard for fashion designers to do is take looks from off the runway and actually put it into existence, into reality. That's really the hard part.
I wear things that aren't in fashion. I wear colors that aren't in fashion. And as a result of that, I kind of bring it back. I feel like nothing really ever goes out of style. It's just what the media and what people tell people to wear. I think having your own sense of fashion is important.
The New York world is definitely geared toward fashion. So many people work in the fashion industry, photography, all sorts of satellite businesses that have to do with it, so there's no way that it can't affect you, and it just kind of makes you think with more of a fashion edge.
There's something about the fashion world that I like, which is, I see a lot of the designers really have affection for other designers.
I'd like to see fashion slow down a bit. What freaks me out about fashion today is the speed - the speed of consuming, the speed of ideas. When fashion moves so fast, it takes away something I always loved, which is the idea that fashion should be slightly elusive. Hard to grasp, hard to find.
I don't think there is the same space for fashion designers to create like Yves was doing it. So, it's that he's one of the last, great geniuses in fashion.
If somebody were to feel the necessity to reduce themselves to a desperate state to achieve what they perceive to be their goals in life, people who work in fashion, who are models or photographers, shouldn't be judged because of untoward acts of others. As the saying goes, it takes two to tango.
We are talking about mutated women, the result of cruel genetic experiments performed by fashion designers so lacking in any sense of human decency that they think nothing of putting their initials on your eyeglass lenses. The leading cause of death among fashion models is falling through street grates. If a normal woman puts on clothing designed for these unfortunate people, she is quite naturally going to look like Revenge of the Pork Person.
I have so many influences, I'm a big follower of fashion. I love fashion, because designers really find different reference points and really study up on different cultures.
There's a very different kind of psychology going on in the fashion scene than in art. When artists connect to a system because they want to make a living, it's their own choice. In fashion, designers don't have that choice.
I think fashion is probably one of the most accessible and immediate forms of visual culture. In 1978, when I realized that I wanted to work on fashion, I had gone to Yale to get my Ph.D. in European cultural history. I suddenly realized fashion's part of culture, and I can do fashion history. All my professors thought this was a really bad idea, that fashion was frivolous and unimportant. And, increasingly over time, people have recognized that it provides such a mirror to the way we think, our values and attitudes.
Since it's no longer my singular source of income, I've withdrawn from fashion spaces a bit. However, I still have a deep love for fashion and want to continue to work with designers and houses that inspire me - like Rick Owens, whose show I would no doubt walk in again if the opportunity arose.
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