A Quote by Alber Elbaz

The big room or big suite doesn't mean a lot to me. It is what the people do or don't do that matters. — © Alber Elbaz
The big room or big suite doesn't mean a lot to me. It is what the people do or don't do that matters.
My mother helped me to get past that. She was always there for me, until she dies. I remember she told me once, about big hearts and small hearts, and that not everyone could be blessed with a big one that had room to care for a lot of people. She promised me that mine was big, and that I was the lucky one for it.
There's a club called Headliners in Chiswick where I do a lot of my warmups for tours. For me it's a nice 'big-small' room: it's a 300 seater, which feels small but you can still get big laughs.
You are what you think. So just think big, believe big, act big, work big, give big, forgive big, laugh big, love big and live big.
A lot of people dismiss what we do. They think, 'Well, it's skate, so it's got to be, like, big baggy pants, cap backwards, big chain'... They don't understand that just because skating is the culture we're working in, it doesn't mean that we can't make good things.
A big club should have big characters and big men. The more strength you have in the dressing-room the better.
I want to be as big as I can be. To me, being big is just playing in front of a lot of people. And that's my goal.
A lot of people don't understand my reasoning behind wanting to fight big fights and big names. Knocking off these big names in fights really solidifies me as the best welterweight that's ever done it.
I'm big and a lot of the stars are smaller so if you're big and mean looking, you play bad guys. After Blade Runner, I was the meanest guy in Hollywood.
When you have all the bells and whistles - you've got the big, fancy catering, you've got the big, fancy car service and the big, fancy trailer - it makes it very comfortable and everybody's making a lot of money. But that doesn't necessarily mean you're going to end up with a great film.
You could say I don't want for me be seen primarily as a gay writer. I've never hidden my sexuality. It matters that I'm gay, it matters that I'm white, it matters that I'm male, it matters that I'm American. But basically it's just less and less of a big deal.
If you're big in Montreal, you're big in Quebec. If you're big in Toronto, you're big in Canada. But if you're big in New York, you're big in the rest of the world.
I know it might be surprising to some, but anyone who knows me - especially those who shared a changing room with me in my playing days who first told me I could sing - will tell you what a big fan I am of big band music.
You know, songs like 'Rock'n Me' were actually written to be played in large... for a hundred thousand people kind of gatherings. And a lot of what came out on 'Fly Like an Eagle' and 'Book of Dreams' was music that was put together to be played in big, big venues with big light shows.
I was a big kid my whole life. I grew up among big people. My brother was a big kid. I didn't really feel like a big kid. Except for the teachers, who pretty much didn't want me to squish any of the other kids.
I usually play big and mean, big and stupid, or big and funny.
There are a lot of people who helped make Queen Latifah who she is today. I don't forget, but a lot of people do and get big heads. My mom will make me walk the dogs or take out the trash when I go home. I'm not allowed to get a big head; I've still got to do the simple things in life.
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