A Quote by Alber Elbaz

A fragrance is a veritable story, told and explained in scent, in notes, in impressions. It's a score based on the emotions of each instant, a captivating music of the senses.
When you're creating a fragrance, you're always thinking about what you want that first smell to be, that first reaction. It's a sensation, like a symphony with all of those layers and notes. I love the way it changes and the way it dries down. The fun thing about scent is that it's unique to everyone; pheromones take on a new scent.
The heart outstrips the clumsy senses, and sees - perhaps for an instant, perhaps for long periods of bliss - an undistorted and more veritable world.
I'm a massive fragrance fan - I think fragrance is part of someone's hygiene, and I'm a big believer in leaving an impression through scent.
I'm a music storyteller and collaborator. I hear character, location, and story as music. For me a score is there to both heighten the story and to actually tell the story with the unique emotional and narrative powers of music.
In holy music's golden speech Remotest notes to notes respond: Each octave is a world; yet each Vibrates to worlds beyond its own.
Once you start to play together, vibing off each other in the scene, it's not just the notes - it's the music. The script might be the notes playing, but we're making it music.
I always wanted my own fragrance because I could never find the right scent for me. At home, I would always mix bottles of my favorite fragrances to create a unique and different scent.
I enjoy wearing fragrance every day and have found myself searching for the one signature scent that truly reflects my personality and the things I love, such as Bulgarian rose. I have always wanted to create a fragrance from its inception to fruition and articulate femininity, confidence, and fortitude.
I've been trying to redefine fragrance since I was a child - before I was ten. Throughout my life, certain fragrance notes have captured my imagination - especially liquorice, violet and anise, flooding back into my consciousness.
Each one of us had a little story to tell and each recording was based on that. Lou played all of the music but we both sort of kicked around some cords during the writing phase.
The two principles of truth, reason and senses, are not only both not genuine, but are engaged in mutual deception. The senses deceive reason through false appearances, and the senses are disturbed by passions, which produce false impressions.
Emotions of any kind are produced by melody and rhythm; therefore by music a man becomes accustomed to feeling the right emotions; music has thus the power to form character, and the various kinds of music based on various modes may be distinguished by their effects on character.
Music should be able to invoke the natural emotions in all human beings. Music is not notes fixed on apiece of paper.
I have never written the music that was in my heart to write; perhaps I never shall with this brain and these fingers, but I know that hereafter it will be written; when instead of these few inlets of the senses through which we now secure impressions from without, there shall be a flood of impressions from all sides; and instead of these few tones of our little octave, there shall be an infinite scale of harmonies - for I feel it - I am sure of it. This world of music, whose borders even now I have scarcely entered, is a reality, is immortal.
I always have to have a fragrance on. I have to wear a fragrance before I go anywhere. For me, scent is everything. It's a first impression. I love it when people tell me I'm smelling good and ask what I'm wearing. For me, it gives me that extra confidence and makes me feel grown.
We are all human, and our senses are quicker to prompt us than our reason. Every man gives off a scent, and that scent tells you how to act before your head does.
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