Now, the velocity of wave propagation can be seen, without the aid of any mathematical analysis, to depend on the elasticity of the medium and its density; for we can see that if a medium is highly elastic the disturbance would be propagated at a great speed.
Now, since the time of Newton there had been a debate about whether light was a wave - that is, a traveling disturbance in some background medium - or a particle, which travels regardless of the presence of a background medium. The observation of Maxwell that electromagnetic waves must exist and that their speed was identical to that of light ended the debate: light was an electromagnetic wave.
Motion pictures are a director's medium. Broadway is a writer's medium. Television is a producer's medium. I picked a medium I could control.
The effects of heat are subject to constant laws which cannot be discovered without the aid of mathematical analysis. The object of the theory is to demonstrate these laws; it reduces all physical researches on the propagation of heat, to problems of the integral calculus, whose elements are given by experiment. No subject has more extensive relations with the progress of industry and the natural sciences; for the action of heat is always present, it influences the processes of the arts, and occurs in all the phenomena of the universe.
Film is a temporal medium as much as it is a visual medium: you're playing with time, and you don't have that ability where someone can pause at home. That's such a fundamental part of what makes filmmaking exciting to me. I don't really have as much interest in any other medium. I just like the control.
They say that theater is the actor's medium, television is the writer's medium and film is the director's medium, and it's really true.
Film as a medium, like a novel as a medium, possesses a unique ability to communicate. Film is capable of communicating in a way that no other medium can, and I would say the same for the novel.
Silverstone is normally quite a tricky place for the set-up and for finding a good balance, because you have a big difference between the low-speed and high speed corners, and there are not really any medium-speed corners in between.
The amount of sophistication varies according to the quality of the medium, and to the state of the same medium at different times; it must be attributed in the best cases physiologically to the medium, intellectually to the control.
I see TV as a picture medium rather than a narrative medium.
People talk about medium. What is your medium? My medium as a writer has been dirt, clay, sand--what I could touch, hold, stand on, and stand for--Earth. My medium has been Earth. Earth in correspondence with my mind.
Certain media attracts more pulpy or low-brow things, especially when they're young. Finding the best story, in any particular medium, is going to be as good, in any other medium.
I loathe high/low art distinctions in any case, so the crossing and re-crossing of that line is an act to be savored and celebrated, regardless of how it turns out. I consider that transgressive aspect of the medium one of its great strengths. In the way comics is both words and pictures while being neither, comics is the Trickster's medium, and as such I would be happy if no one ever knew what to do with it.
The 'content' of any medium is always another medium.
Television, I would say,
isn't an advertising medium.
It's a selling medium.
Whatever may be the merits of a religious system, its effects upon the mass of mankind must depend in an important degree upon its teachers. All instruction and all truth, except simple mathematical truth, is modified by the medium through which it is conveyed.
If you are going to go to a medium, go to a medium as a skeptic... and this is a medium telling you this! Because if someone is a medium and they are legit, they're not going to be shocked by skepticism, they're not going to be taken aback or intimidated by skepticism.