A Quote by Albert Brooks
When I started out, I tried out all my stuff on national television. There were no comedy clubs, but even if there were, I don't think I would have gone to them. I used to do stuff in the bathroom, and then I'd drive down to NBC and do it on 'The Golddiggers' with Dean Martin.
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While all the other kids were out playing ball and stuff, I used to stay in my room and imagine that there was a camera in the wall. And I used to really believe that I was putting on a television show and that it was going out to somewhere in the world.
We all [Ed Simmons,Dean Martin and Jerry Lewis] started together, so there were no rules - anything we wrote became television.
I don't do Jewish stuff because I don't want people to be left out. If I mention the Torah in Alabama, it's not going to go down that well. I used to do some Jewish jokes because when I started, I used to play lots of Jewish country clubs.
I know, when I was in film school, some of my films were silly, but a lot of them were more dramatic. I don't think I intentionally set out to do comedy stuff. I guess that's a consequence of coming up working with David O. Russell and skewing toward those sensibilities.
I certainly do believe that a lot of comedy comes from awkwardness and embarrassment - pointing out the ways things are uncomfortable. Definitely the stuff that interests me. I don't necessarily think that comedy comes from a dark place, like you have to be a strung-out heroin addict. But I don't think it comes from happiness, that's for sure. It comes from frustration and suppressed rage, and wishing the world were different.
I basically sat down for a month, with all the Sun stuff I could find and just picked out my favorites. I didn't think that they were indicative of '54 to '57, although I tried to stay within that period.
My parents would tell us to go outside and play or to do creative stuff, but television was very limited. So we used our own creativity to entertain ourselves. We were out in the woods a lot making huts and playing horses.
I think people were just seriously happy to find a funny woman who does comedy like a man. Because I learned how to do comedy from guys, from watching those Dean Martin roasts years ago.
I don't think you can figure this stuff out. If you could figure all this stuff out, then all the great filmmakers would come out of Yale and Harvard. It's not an intellectual process.
I was a big fan of a writer named Jack Vance, a science fiction writer. He always wrote about these guys who were either going down a river in a strange world or would be in this one land where people acted really strange, and he'd have these interactions with them that were strange - he'd usually get run out of town or something. Then he'd end up in the next town over where the rules were totally different. And I love this stuff.
We started the company out of frustration with the employer that we had because we were building great stuff and there was no way that this stuff was ever going to get into the hands of the people who could use it
We started the company out of frustration with the employer that we had because we were building great stuff and there was no way that this stuff was ever going to get into the hands of the people who could use it.
I dunno when I started writing really. I was, like, filling out applications and stuff real early. Last name first, first name last, sex. 'occasionally' , stuff like that. Then I was writing letters, filling out forms, writing on bathroom walls.
My little notebooks were beginnings - they were the ground into which I dropped the seed... I would work in this way when I was out in the crowds, then put the stuff together at home.
Sometimes maybe you should let someone you love travel great distances away from you. You shouldn’t think you needed to set out to retrieve them and put them back where they belonged. Sometimes they were only safe and happy, like Annabelle Aurora. And then other times, it was just possible they were lost at sea. It would be your duty, then, to get out into the boat and search, even if the waves were choppy and the wind was howling the protests of the dead.
It's hard to describe to people how terrible it was when you could only watch cartoons at a certain time in your life. But no, I would watch all of them - the Warner Bros. cartoons and the Bugs Bunnys and then the Tex Avery stuff. Looking back on it, they were so incredibly subversive for their time. You'd think, "Oh, they're just making jokes and this or that." But when you watch them as an adult, you think, "Oh no, they were talking about some pretty deep stuff."
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