A Quote by Albert Brooks
I like the acting. It's how I started, and I sort of feel that if I don't give it a little shot now, and I go back, then I'm pretty much done with it. I mean, at what age am I going to do it at? Although, when you see Christopher Plummer and Max von Sydow doing it, I guess the answer is 80.
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I was anxious before I decided to go back to acting about what I wanted to do with my life. Once I realized I was sort of interested in acting, I've been pretty lucky and had all these great parts. And I feel pretty much like, 'What will happen will happen.'
I guess you could say I fell into it. The main goal was to be successful and to make my family proud. Back then, MMA was just getting started, and there didn't seem to be a ton of rules. It seemed pretty brutal, and I was still pretty focused on wrestling. But I decided to give it a shot.
The character I play in Star Quality says acting is the be-all and end-all of her life. I'm not like that. I do enjoy working and I give every job my best shot but I never feel, What on Earth am I going to do now?
When I started doing advertisements, I really enjoyed the whole process of shooting, and I realised that I could do the little bit of acting required quite easily. My directors also told me that I have a flair for acting and that I should polish it and try for films. Then I thought I probably had it in me - why not give it a shot?
I don't do enough movies that I can call it a career. It really is sort of like summer jobs or something like that. It's very much like holiday work as far as, okay, I do it, and I'm there for two weeks and hopefully am working really hard, and then it's done, and I kind of go back to what I was doing before.
Pretty That's what I am, I guess. I mean, people have been telling me that's what I am since I was two. Maybe younger. Pretty as a picture. (Who wants to be a cliché?) Pretty as an angel. (Can you see them?) Pretty as a butterfly. (But isn't that really just a glam bug?) Cliché, invisible, or insectlike, I grew up knowing I was pretty and believing everything good about me had to do with how I looked. The mirror was my best friend. Until it started telling me I wasn't really pretty enough.
When I'm editing, I tend to cut, go back over it, cut, go back over it, cut, so by the time I'm done, even with a cut, I don't have a rough cut and then work on it so much. I have a pretty rigorous cut of the movie that's usually in the range of what the final movie is going to be. It doesn't mean I don't work on it a lot after that, but I get it into a shape so I feel I can really tell what it needs, or at least it's ready to show people.
Working with Christopher Plummer, I mean, he's a legend. I was so, so nervous even meeting him, but he made me feel comfortable, and that helped me tremendously.
When I announced on my Facebook page that I'm coming to Israel, people started telling me that I shouldn't go there, but I figured that if I'm not going to come here, then I guess I can't go back to the United States anymore and I can never go to Russia again and I should probably never go back to Germany and I should probably never go back to France and I should probably never go back to England....All I see here is a really beautiful city.
I mean I feel like we've shot all these different movies. Like the first 2 weeks of shooting was all Steve Stills apartment and band rehearsal, you know? And so it was like this tiny little group of people and small set comparatively and it just looked like a Toronto apartment. And then we sort of kept ramping up further and further until now we're here in this giant like craziest set I've ever seen with LCD crazy lights that go....you know?
To me acting is a hobby and I'm inspired by it. And if I'm going to spend time doing something that I'm not really inspired to do, then why am I doing it? I don't know if that sounds sort of new agey or whatever, but it's true. I've been lucky enough to have a musical career that has gone pretty good and acting is something I have always wanted to do.
I have no time for real horses, so I have a plastic horse. Large size. Called Max Von Sydow. For photographs it looks real. If I do a photo shoot and it stands in the background, you think it's a horse. A horse is a horse.
Although it's pretty rare that I'll get completed, finished lyrics to a song and feel like it's done, and then decide that it's not worth doing. Usually, I can tell along the way - even if it's something I've been working on for a couple of months - that it's just not going to work. Maybe I'll come back to it a few months or even a year later, or maybe it's just gone.
I was directing before I started doing 'The IT Crowd.' It wasn't something that led on after acting I guess. I was sort of doing this stuff before acting.
(On upcoming racing plans) Right now I am going to go back into training and then I am going to resurface and do the BAA Mile, The Boston Mile, and then I am going to do the USA Championships Mile out in Des Moines, Iowa. Then it is either going to be between The Penn or Drake Relays and then I will go back into training again and start another kind of session.
The creative process for a musician is very different than for a filmmaker. I have an idea and I can pretty much execute it. As old as I am now and as long as I've been doing it, I can pretty much get it done in a week. While a filmmaker has a great idea that should be out tomorrow, but he has to go through this process of getting financing, then selling it, then casting. I've always been in awe of filmmakers and their patience in realizing their vision because I could never do that.
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