A Quote by Albert Brooks
My father was very sick around the time I was born. The doctors thought he wouldn't live. He did recover, but I don't remember him as very active. I do remember lots of schtick around the dinner table. Generally, he and my brothers and I were all laughing at the same thing my mother did not find funny, whatever that was.
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My father wasn't around when I was a kid, and I used to always say, 'Why me? Why don't I have a father? Why isn't he around? Why did he leave my mother?' But as I got older I looked deeper and thought, 'I don't know what my father was going through, but if he was around all the time, would I be who I am today?'
I think one of my favorite pieces I've ever done on the show which was about Hezbollah Israel conflict in 2006 and it was very pointed. It was a beautifully crafted piece of satire and it's a weird thing to say but it had a joke in there about 9/11 and I remember the audience sort of laughing but also kind of not knowing how to respond to that joke and it was just so - and I remember the tension after we did this joke on the air and there was this palpable gasp in the audience, but they were also laughing. And I thought oh, wow, that is something that is not being said in the Zeitgeist.
I remember unbelievable tension in our home. There were lots of meetings, lots of worries. I remember my father told me I had to be careful of what I said on the phone because it was tapped. And I remember how his friends adored and revered him.
I remember trying to be funny, and both of my parents were terribly funny. My father was also very dignified, but my mother was an absolute ding-a-ling, a ripper.
I remember one time when all the nuns in my Catholic grade school got around in a semicircle, me and Mom in the middle, and they said, 'Mrs. Farley, the children at school are laughing at Christopher, not with him.' I thought, 'Who cares? As long as they're laughing.'
Our characters were antiseptic but we weren't. And if you remember what we did on BATMAN, as the scripts were written very funny, we played them very straight.
My father was a tailor. He worked from seven o'clock in the morning until seven at night. At least when he got home, my mother always cooked him a very good dinner. Lots of potatoes, I remember; he used to knock them down like a dose of salts. He needed it, after a 12-hour day.
I can remember no time when I did not understand that my mother must write books because people would have and read them; but I cannot remember one hour in which her children needed her and did not find her.
I love you,Nora. Whatever happens, promise me you'll remember that. I don't care why you came into my life,only that you did. I don't remember all the things i did wrong. I remember what i did right, I remember you. You made my life meaningful. You made my life special.
I remember years ago being on the set of 'Dreamcatcher' and not only did I have such great admiration for Morgan Freeman and was just thrilled to be around him, I was struck by the fact that he seemed to be having perhaps more fun than I was at his job. And I thought, 'Well, that's very promising.'
I remember years ago being on the set of 'Dreamcatcher' and not only did I have such great admiration for Morgan Freeman and was just thrilled to be around him, I was struck by the fact that he seemed to be having perhaps more fun than I was at his job. And I thought, 'Well, that's very promising.
But I remember the morning after The Mask of Virtue-which is the first play I did at the West End-that some critics saw fit to be as foolish as to say that I was a great actress. And I thought, that was a foolish, wicked thing to say, because it put such an onus and such a responsibility onto me, which I simply wasn't able to carry. And it took me years to learn enough to live up to what they said-for those first notices. I find it so stupid. I remember the critic very well, and have never forgiven him.
I received most of my business education around the dinner table. Whether I listened to my father or brothers, or we had business people as dinner guests, I learned from everyone.
I got to play a funny part [in the The Master Of Disguise]. There was one thing my character did that involved flatulence and laughing at the same time - that was in the script - and that was basically what sold me on it. I really thought, "This can't help but be funny." And when I saw the film, I was proud that I'd had those moments.
There was so much going on. I remember a very interesting dinner in the studio of [Robert] Rauschenberg. He had convinced Sidney Janis, Leo Castelli, and a third big gallery man to serve us, the artists, at the table. So they were dressed up as waiters, we were sitting at the table, and they were only allowed to sit down at the end of the table for the cognac. This is not possible now.
I was raised by my father, who was a singer, songwriter, guitarist, and bass player. His brothers all did the same thing, so I was kind of always raised around the music.
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