A Quote by Albert Brooks
In the course of my movies, the financing and the releasing were always the tough part. Because I loved the creative, I loved the writing, I loved the making of it. Because I guess, I never had the giant blockbuster, I never got that sort of ease for the next one. So the next one was always, "how am I going to do this?" And that thing was sort of always the thing that made me a little chickenshit to go into the next one. The writing of it was great and the making of it was great, but how am I going to release this thing and am I going to find a studio?
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In the course of my movies, the financing and the releasing were always the tough part. Because I loved the creative; I loved the writing. I loved the making of it. Because, I guess, I never had the giant blockbuster, I never got that sort of ease for the next one.
I've been in a band, so I understand the politics. Sometimes the bass player doesn't like what the guitar player is doing, and you have to sort of even that out. But I've also always loved the technology part of it. I've always loved the studio part. Making albums. Besides writing songs, which has been my primary thing, making records would be second. Obviously, touring would be third. Touring wasn't my favorite thing to do, but the first few tours were pretty fun. Seeing the world and everything.
My job is to have new ideas and take risks every day, so I'm always looking forward to the next thing being done or making the next thing that I haven't yet gotten to. That's sort of the constant in my life.
I got into writing because books and stories were always a big part of my life. I loved listening to them and then reading them, and I loved making them up.
Here's the thing, men have to also mature in how they see women, too. Because they need to understand that it's not just about how we look, it's about who we are. And I am going to tell you like this, 'If you can't love me with short hair, and you telling me I got to have long hair to be loved, guess what, I ain't the one for you.'
Even though I only just found out that I was adopted, God has always known, and he has always loved me. And since that has never changed, therefore nothing has essentially changed. I may not be who I thought I was, but I still am who he says I am. I am more. I am loved. I am his.
I love and always have loved policy issues and trying to have an impact on the issues that are out there. I cherish my years in government. I have loved my participation at CNN, at Current; writing; teaching. Where I will go next, I will have to sort out.
I was always searching, always seeking the next big thing, because that was the thing that was going to make everything all right again. And while I was working toward it, it gave me something to think about other than that thing I couldn't put my finger on. But it always came back.
We're kinda always writing, so it's like we're always thinking about what's next, so that'd be a yes. We're always constantly wanting to get onto the next thing or the new thing.
I don't think I ever had a morning where I woke up and said I'm going to be a professional poet. I know I've always loved poetry, I've always loved writing poetry and I've always loved sharing poetry. I've also always known that I wanted that to somehow be a very large part of my life and I'm very fortunate that it's such a large part of my life.
I don't really know how accepted I am. Nothing ever matters to me apart from the people with negative opinions. That's literally it. That always drives me on to the next thing. It's funny, you just focus on them and then the next movie. That's the only thing you're thinking about when it comes out.
I've always moved by my heart. I've moved by the spirit of what I feel was right for me next. I always pray and ask God: 'What's the next thing? What am I supposed to do next?
I've always moved by my heart. I've moved by the spirit of what I feel was right for me next. I always pray and ask God: 'What's the next thing? What am I supposed to do next?'
When I gave up dope and alcohol, my immediate feeling was 'I've saved my life, but there'll be a price because I'll have nothing that buzzes me any more'. But I enjoyed my kids. My wife loved me and I loved her. And eventually the writing came back and I discovered that the writing was enough. Stupid thing is that probably it always had been.
You always think, 'Oh, if only I had a little chalet in the mountains! How great that would be and I'd do all this writing' Except, no, I wouldn't. I'd do the same amount of writing I do now and the rest of the time I'd go stir crazy. If you're waiting for the perfect moment you'll never write a thing because it will never arrive. I have no routine. I have no foolproof anything. There's nothing foolproof.
In high school, my first thing ever was I played Tony in West Side Story when I was about 17. I was a really shy kid and I just like forced myself to learn how to sing this one month because I loved West Side Story so much and I somehow managed to get the role. I had an afro and glasses, and the guy who cast me goes, "All right, the first thing to go is the afro and the next thing, I'm going to buy you contacts and we're going to get you..." So he kind of molded me into what it had to - that's still probably the hardest role I've every played in anything, the most taxing role.
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