A Quote by Albert Camus
The artist forges himself to the others, midway between the beauty he cannot do without and the community he cannot tear himself away from. That is why true artists scorn nothing: they are obliged to understand rather than to judge.
Related Quotes
And often he who has chosen the fate of the artist because he felt himself to be different soon realizes that he can maintain neither his art nor his difference unless he admits that he is like the others. The artist forges himself to the others, midway between the beauty he cannot do without and the community he cannot tear himself away from.
Man can will nothing unless he has first understood that he must count on no one but himself; that he is alone, abandoned on earth in the midst of his infinite responsibilities, without help, with no other aim than the one he sets himself, with no other destiny than the one he forges for himself on this earth.
Every artist's strictly illimitable country is himself. An artist who plays that country false has committed suicide; and even a good lawyer cannot kill the dead. But a human being who's true to himself - whoever himself may be - is immortal; and all the atomic bombs of all the antiartists in spacetime will never civilize immortality.
Man cannot degrade woman without himself falling into degradation; he cannot elevate her without at the same time elevating himself.
A prince being thus obliged to know well how to act as a beast must imitate the fox and the lion, for the lion cannot protect himself from snares, and the fox cannot defend himself from wolves.
For I must tell you that we artists cannot tread the path of Beauty without Eros keeping company with us and appointing himself as our guide.
Throughout the centuries, man has considered himself beautiful. I rather suppose that man only believes in his own beauty out of pride; that he is not really beautiful and he suspects this himself; for why does he look on the face of his fellow-man with such scorn?
Technique is really personality. That is the reason why the artist cannot teach it, why the pupil cannot learn it, and why the aesthetic critic can understand it. To the great poet, there is only one method of music - his own. To the great painter, there is only one manner of painting - that which he himself employs. The aesthetic critic, and the aesthetic critic alone, can appreciate all forms and all modes. It is to him that Art makes her appeal.
...he who has seen the intimate beauty of nature cannot tear himself away from it again. He must become either a poet or a naturalist and, if his eyes are keen and his powers of observation sharp enough, he may well become both.
The Great Man's sincerity is of the kind he cannot speak of, is not conscious of: nay, I suppose, he is conscious rather of insincerity; for what man can walk accurately by the law of truth for one day? No, the Great Man does not boast himself sincere, far from that; perhaps does not ask himself if he is so: I would say rather, his sincerity does not depend on himself; he cannot help being sincere!
I see that a man cannot give himself up to drinking without being miserable one half his days and mad the other; besides, I like to enjoy my life at all sides and ends, which cannot be done by one that suffers himself to be the slave of a single propensity.
How does one chip off the marble that doesn't belong? ... That comes about through five things: humility, reverence, inspiration, deep purpose, and joy. No great man has ever wise-cracked his way to greatness. Until one learns to lose one's self he cannot find himself. No one can multiply himself by himself. He must first divide himself and give himself to the service of all, thus placing himself within all others through acts of thoughtfulness and service.
When you come to knowing God, the initiative lies on His side. If He does not show Himself, nothing you can do will enable you to find Him. And, in fact, He shows much more of Himself to some people than to others—not because He has favourites, but because it is impossible for Him to show Himself to a man whose whole mind and character are in the wrong condition. Just as sunlight, though it has no favourites, cannot be reflected in a dusty mirror as clearly as in a clean one.
Technique is really personality. That is the reason why the artist cannot teach it, why the pupil cannot learn it, and why the aesthetic critic can understand it.
A cultivated and decent man cannot be vain without setting a fearfully high standard for himself, and without despising and almost hating himself at certain moments.
There is nothing so dangerous for anyone who has something to hide as conversation!... A human being, Hastings, cannot resist theopportunity to reveal himself and express his personality which conversation gives him. Every time he will give himself away.
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